search
See the smiling woman in this photo? That's Liz Miller, Conference & Programming Director for AXPONA, and the fact that she's smiling at the end of the largest North American consumer-audio of 2017 (so far) is a miracle. She and her team at JDEvents—Mark Freed, Joel Davis, Lou Mancini, Dawn Jeffrey, Melissa Cercone, Joelle Coretti, and Jenabeth Ferguson—worked on the show for months. Liz, in fact, works on it year-round. Yet at the end of an expo that sold 6723 tickets—up 13% from 2016!—and welcomed 4726 unique visitors over three days—up from 4092 in 2016!—she was so together that she…
So why do it? Remix Sgt. Pepper's Lonely Hearts Club Band, 50 years after the album's original release? Giles Martin (above), son of Sir George and the man behind the new remix, said the answer is simple. Because the original tapes are in pristine condition we can.
And then there's the all-important context: record labels need something to sell. And after all we are talking about the Beatles here. If there is anything like a sure thing, a guaranteed hit, in the music business, it's John, Paul, Ringo and George.
Better face it now Beatles fans: we are all going to be buying "new"…
David Chesky's The Spanish Poems packs a lot of infectious, dance-like energy into a three-song, 24/48 (or 16/44.1) download. Available at a price commensurate with its 21:28 length, the short cycle sets "The Girl from Guatemala" by José Marti (1853–1895), Sonnet No.5 by Garcilaso De la Vega (1501–1536), and "The Romance of Love" by an unknown author. All dance away in a catchy style that makes ample use of bells, triangle, and other high-pitched percussion instruments. Played by Chesky's pick-up Orchestra of the 21st Century, they are sung in English by the versatile, technically triumphant…
Some say audiophiles have no sense of humor. One well-known writer for another magazine even lectured John Atkinson a while back that "there is no place for humor in audio!" So here is audiophile humor at its best, brought to you by Stereophile writers Herb Reichert (left) and Steve Guttenberg (right).
This is one of Shure's new generation of pickups with "trackability" that grew out of research on the Type II V-15 pickup.
At first glance, the V-15-II and the M75E are physically identical. They're the same size, the same shape, and almost the same weight (the M75E weighs 0.8 grams less); and both of them have the same neat little hinged cover that flips down to protect the stylus when the pickup's not in use.
Closer examination, though, shows that they aren't quite the same. The M75E is sided with plastic instead of aluminum, its stylus armature is much more rugged (and higher…
Kill 'Em and Leave: Searching for the Real James Brown and the American Soul
by James McBride. Spiegel & Grau, 2016. Hardbound, 232 pp., $28. Also available as paperback, eBook, and audiobook.
by James McBride. Spiegel & Grau, 2016. Hardbound, 232 pp., $28. Also available as paperback, eBook, and audiobook.
Comparing James McBride's search for James Brown with the quest depicted in the classic John Ford film The Searchers reveals some dramatic changes in American racial attitudes over the years, along with some consistencies. Ford's film begins in post–Civil War Texas; its white protagonist, a former Confederate soldier named Ethan Edwards (John Wayne), spends most of the film hunting for the…
Sidebar: Specifications
Description: Moving-magnet phono cartridge with an elliptical stylus. Stylus radii: 0.2 mil by 0.7 mil. Frequency range: 20Hz–20k Hz. Output: 5.7mV. Separation: >25dB at 1kHz. Recommended load: 47k ohms. Inductance: 720 mH. Recommended tracking force: ¾ to 1½ gm.
Weight: 6 gm.
Price: $39 (1968); no longer available (2017).
Manufacturer: Shure Bros. Inc., Evanston, IL 60204 (1968). Shure Inc., 5800 W. Touhy Avenue, Niles, IL 60714-4608. Tel: (800) 257-4873, (847) 600-2000. Fax: (847) 600-1212. Web: www.shure.com/americas.
While many of the "modded Philips" firms simply replace the plastic "Philips" or "Magnavox" logo with their own after completing all their internal circuit mojo, for the Sonographe SD-22 ($895), Conrad-Johnson goes quite a bit further by wrapping the stock plastic flimsy-luxe box with their own heavy metal skin, making for a much stronger and nonresonant chassis. Unlike many of the modkateers, C-J doesn't replace the fairly flimsy stock RCA jack assembly of the Philips machine; in my experience, this is one of the first things to go bad on such a unit, as the contact integrity is usually poor…
Sidebar 1: Specifications
Description: Frequency response: 5Hz–19kHz ±0.5dB. Output level: 640mV RMS. S/N ratio: 90dB relative to 640mV output level.
Dimensions: 11.25" (288mm) D by 17.125" (435mm) W by 3.75" (95mm) H. Weight: 12 lbs (5.5kg).
Price: $895 (1992); no longer available (2017). Approximate number of dealers: 100.
Manufacturer: Conrad-Johnson Design Inc., 2800R Dorr Avenue, Fairfax, VA 22031. Tel: (703) 698-8581. Fax: (703) 560-5360. Web: conradjohnson.com.
Sidebar 2: Aunt Silly Airy Gear
The player was broken-in for roughly a month before I sat down to listen. I fed it CDs, set it for infinite repeat, and hooked the fixed outputs to a 10k load (you can make this by soldering a 10k resistor between the signal and ground of an RCA plug, or alternately, you can just hook the player up to an input on your preamp, turned all the way down), which ensured that signal would flow through the audio circuitry, output coupling caps, wire, etc. If you leave the output jacks unterminated there's no signal flow, and all you accomplish is a ha'pen'orth's…