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Description: Solid-state, monoblock power amplifier. Inputs: 1 balanced (XLR), 1 single-ended (RCA). Power output: 200W into 8 ohms, 400W into 4 ohms (both 23dBW). Frequency range: 1.5Hz–100kHz. Voltage gain: 26dB. Input impedance: 50k ohms single-ended, 100k ohms balanced. THD (1kHz, full power): 1%. Damping factor: 200. Output noise: 200µV. Input CMRR (common-mode rejection ratio): 60dB. DC offset: 0.05V. Current draw at idle: 6.3 amps. Power consumption: 760W. Temperature: 53°C.
Dimensions: 19" (480mm) W by 11" (280mm) H by 27.5" (700mm) D. Weight: 157 lb…
Digital Sources: dCS Paganini SACD/CD transport, Scarlatti clock, Rossini & Vivaldi DACs, Network Bridge; Intel NUC7i7BNH computer with 8GB RAM, 128GB SSD, running Roon; Linksys router with two TP-Link gigabit Ethernet media converters & multimode duplex fiber-optic cable; external hard drives, USB sticks, Apple iPad Pro.
Power Amplifiers: Dan D'Agostino Master Audio Systems Progression Mono monoblocks.
Loudspeakers: Wilson Audio Specialties Alexia and Alexia 2.
Cables: Digital: AudioQuest Diamond (Ethernet), Nordost Odin 1 & Odin 2…
Before performing any measurements, I ran one Pass Labs XA200.8 (serial no. 29556) for an hour at one-third its measured maximum power into 8 ohms—thermally, the worst case for an amplifier with a class-AB output stage but not for a true class-A amplifier, which runs at its hottest with no signal. By the end of the hour, the top panel was warm, at 99.4°F (37.4°C), and the side-mounted heatsinks were hotter, at 118.1°F (47.8°C). Although Pass Labs specifies the XA200.8 operating in class-A, I suspect that even with its massive heatsinking, the amplifier doesn't…
We began by listening to the DeVore O/93s. I was immediately struck by an increase in top-end sparkle and air, compared to when the speakers were driven by my Shindo Laboratory preamp and power amp. Perhaps for that reason, the ASR made my system sound bigger with some recordings—this was not consistent across all of the listening I did with the ASR-DeVore combination, but never did that combination sound smaller than when I used the Shindos. Also with the DeVores, the ASR didn't squeeze out the same degree of timbral-color saturation as the Shindos, from any recording. But…
But forget about need. Would you want a pair of these massively heavy amps? People into tubed gear might not, but if price was not a consideration and if you had the…
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Description: Solid-state, class-AB, monoblock power amplifier. Inputs: 1 unbalanced (RCA), 1 balanced (XLR). Outputs: 2 pairs speaker binding posts (biwirable). Power output: 888W into 8 ohms (31dBW), 1776W into 4 ohms (31dBW). Frequency response: 10Hz–200kHz, +0/–3dB. Voltage gain: 31dB. THD: <0.04%, 20Hz–20kHz at 888W. Signal/noise: >120dB (full power). Input impedance: 24k ohms. I/M distortion: 0.0006%. Power consumption: 50W at idle.
Dimensions: 22" (559mm) W by 14" (356mm) H by 27" (686mm) D. Weight: 300 lb (136kg) shipping.
Finishes: Black…
Analog Sources: Continuum Audio Labs Caliburn turntable & Castellon stand; Technics SL-1000R turntable; Kuzma 4Point, SAT, Technics tonearms; Lyra Atlas, Atlas SL, Atlas SL mono, Etna, Etna SL cartridges; Haniwa HCTR01 Mk.II, Miyajima Laboratory Zero (mono) & Madake, Ortofon Anna & A95, van den Hul Colibri XGW Stradivarius Signature phono cartridges.
Digital Sources: dCS Rossini CD player/DAC, Lynx Hilo A/D-D/A converter; Sugar Cube SC-1 A/D + pop & click remover; Meridian Digital Media System; Pure Vinyl & Vinyl Studio software.…