search

A while back, I visited an audio store to give a presentation. Before the public arrived, I sat down with some veteran audio manufacturers who were contentedly listening to a system that…

Digital Playback: Among other discs, I ripped a reissue of Milt Jackson's Sunflower (LP, CTI/Pure Pleasure 6024) to both CD and DSD128 resolutions. If you needed more proof that CD resolution is not transparent to the source and that double DSD gets much closer, these two files would convince you: The CD-rez file sounded spatially flat and somewhat crunchy on top; the DSD was smoother, more spacious, more like the LP.

If you buy a Sony PS-HX500 to archive your LPs, you'll find its playback, recording, and editing functions relatively easy to use. On a Mac, the files show up in a…

Here's a real treat: piano trios by four outstanding Spanish composers—Enrique Fernández Arbós, Joaquín Turina, Gaspar Cassadó, and Mariano Perelló. All except Cassadó, a famed cellist born in 1897 who studied with Pablo Casals in Paris, composed during the same golden period as Granados, Falla, and Albéniz—the composers whose orchestral music graces Fritz…

The mix of early Motown, a pinch of Chic's guitar, dance synths, and lush orchestration made The Lexicon of Love a firecracker of an album in 1982. ABC was not simply another New Romantic band espousing conspicuous consumption on sun-kissed yachts. Their music reveled in pop, it was filled with puns, and yes it was fun, but it was also eloquent. Their sense of irony, perhaps epitomized by Martin Fry's gold lamé suit and…

John Scofield is, by broad consensus, one of the three or four most important guitarists in jazz. Unlike so many of today's jazz musicians, he has the humility to play songs written by others.

In the liner notes to this double album, he says that he was 13 when the Byrds's version of "Mr. Tambourine Man" was a hit. It has been in his musical…

For a comparison with the Energy Veritas v2.8 speakers, I had earlier set up in my listening room the pair of Snell B minors recently reviewed by Larry Greenhill (April '94, p.167) and sent to Santa Fe for measurement. The $3599/pair Snells are similar in size to the Veritases, but look much less conventional. I set up the Snells on the room's short dimension, a third of the way out into the room. In this position, with a closely positioned listener, they performed strikingly well, and much as LG described: midbass…

Description: Three-way, five-driver, floorstanding dynamic loudspeaker. Driver complement: one 12" woofer, two 5¼" polypropylene-cone midranges, one 1" titanium-dome tweeter, one ¾" soft-dome, rear-firing tweeter. Frequency response: 30Hz–20kHz, ±1.75dB anechoic, up to 15° off-axis. Crossover frequencies and slopes: 275Hz, 2.7kHz, 24dB/octave. Impedance: 8 ohms, 4 ohms minimum. Sensitivity: 86dB/W/m (2.83V), anechoic. Amplifier requirements: 40–200Wpc.
Dimensions: 10" W by 48" H by 16" D. Shipping weight: 110lb each.
Finishes available: matched grain,…

A variety of associated equipment was used in this review. For most of the listening, I used the Krell KSA-250—the amplifier that had proven so successful with the Type B. Tom Norton has written about how the KSA-250 tends to be lean in the mid to upper bass, which could offset the audibility of any midbass peak (footnote 1). The other amplifier that I found to work well with the B, the Bryston 4B NRB, was not available. I also used a Mark Levinson No.27.5, the newest Classé 15, and the Woodside M-50 tube monoblocks. I included the Woodside to determine if…