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Looking at Wilson Audio's products, it is natural to assume that they use a trickle-down approach,…
Description: Three-way, floorstanding loudspeaker. Drive-units: 1" (25mm) doped-silk dome tweeter; 5¾" (146mm) doped paper pulp-cone midrange; 8" (203mm) paper pulp-cone woofer. Enclosure types: rear-ported woofer, rear-vented midrange, tweeter sealed in its own enclosure. Frequency response: 31Hz– 23kHz, ±3dB, room average response (RAR). Sensitivity: 87dB/W/m @ 1kHz. Impedance: 4 ohms nominal, 2.6 ohms minimum at 135Hz. Minimum recommended amplifier power: 50Wpc.
Dimensions: 40 5/16" (1023mm) H (with spikes) × 12" (305mm) W × 15 5/16" (390mm) D. Weight:…
Analog sources: Spiral Groove SG-2.1 turntable and Centroid tonearm, VPI HR-X turntable and tonearm; Grado Epoch, The Reference, and Signature Reference, Benz Micro SL, Audio-Technica AT-MONO3/LP phono cartridges.
Digital sources: Primare CD35 Prisma CD player, Mytek Brooklyn DAC+.
Preamplification: Sutherland Phono Blocks Refined and Phono Loco phono preamplifiers; Sutherland Line Blocks line stage.
Amplification: VTL Ichiban power amplifiers.
Loudspeakers: Wilson Audio Sasha DAW, Elac Debut 2.0 F6.2.
Cables: Shunyata Alpha v2 NR and…
For logistical reasons, I measured a different sample (serial number 0384) from those auditioned by Brian Damkroger. Except when stated otherwise, the measurements were performed with the grille removed. Also, to avoid the possibility of damaging the cabinet's finish, I did not remove its protective film (footnote 1). I used DRA Labs' MLSSA system and a calibrated DPA 4006 microphone to measure the Wilson SabrinaX's frequency response in the farfield, and an Earthworks QTC-40 for the nearfield responses of the individual drive-units.
When I measure a…
"How much do you want to spend?" I asked cautiously. His answer: $500, tops.
For a sane, music-loving American, that's a reasonable sum to allocate to buying a really good record player, way better than the ones you'll find at big box stores or, God help us, Urban Outfitters. Yet…
If I expected the Pro-Ject to sound flimsy or polite, I needn't have worried. As soon as I dropped the needle on a 45 of Gladys Knight and the Pips' "Got Myself a Good Man" (Soul S 35063), the congas blasted out of my 1967 Altec Valencias, followed by the tambourine. Soon, the Motown rhythm section locked on. The single sounded dynamically expressive, propulsive, and juicy, just begging to be turned up.
Few records make me as happy as Have Moicy! (Rounder Records 3010), a 1976 collaboration between Michael Hurley, the Unholy Modal Rounders, and Jeffrey Frederick and…
Description: Non-suspended, belt-drive turntable. Speeds: 33.3rpm, 45rpm, 78rpm. Speed adjustment: none. Wow and flutter: 33: ±0.17%; 45: ±0.15%. Pivoted, carbon fiber tonearm with synthetic sapphire bearings. Effective length: 218.5mm; effective mass: 6gm; overhang: 18.5mm. Sumiko Rainier: moving magnet cartridge with elliptical stylus: Frequency range: 15Hz–25kHz; Output voltage: 5.0mV.
Dimensions: 19 1/5" (488mm) × 9¼" (235mm) × 15½" (393mm). Weight: 12.3lb.
Finish: wood veneer.
Serial number of unit reviewed: 20S054562. Handmade in Europe.
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Analog sources: Garrard 301 turntable in a Box Furniture Co. plinth; Thomas Schick 12" tonearm; Ortofon SPU Classic G cartridge.
Digital sources: Denafrips Terminator DAC; Denafrips Gaia DDC; Sonore ultraRendu; Small Green Computer sonicTransporter i5 server running Roon Core.
Preamplification: Shindo Aurieges preamplifier; Auditorium 23 SPU step-up transformer.
Power amplifiers: Shindo Montille; single-ended amplifier with triode-wired 307A output tubes built by Oliver Sayes.
Loudspeakers: Altec Valencia 846A.
Cables: Interconnect:…