Photo of Franco Serblin courtesy of José Victor Henriques of HiFi Club Portugal
We are saddened to learn that Franco Serblin, founder of Italian loudspeaker manufacturer Sonus Faber, passed away on Easter Sunday, March 31, at 73. Larry Greenhill interviewed Franco Serblin in June 1992 for Stereophile. We will add more details as they become available.
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In a recent Stereophile.com news item, John Marks informed readers about free online music production classes now offered from the esteemed Berklee College of Music. Seems like JM himself is taking up this opportunity. In this video assigment, JM shares his explanation of the ORTF microphone placement technique for stereo recording.
Don't be deceived by this simple mic set-up! You don't need six plus microphones in order to record a full band or orchestra with realism and space. Rather, the ORTF method, devised at the Office de Radiodiffusion Télévision Française at Radio France…
The day-of-release listening party, a lost tradition? The clever folks at Noisey, Vice’s music subdivision seem to think so. In response, they’re bringing it back on a global spectrum. Today, Wednesday, April 03, 2013 at 3pm EST, Noisey will be streaming the Yeah Yeah Yeah’s new record Mosquito in its entirety while party-goers interact with each other and watch video explanations about the songs from members of the Yeah Yeah Yeahs. This is just the first in a series of Noisey’s new Listening Party initiative. For an invite to the party, follow the tweets from @NoiseyMusic.
David Briggs: A Pair of Wharfedales: The Story of Gilbert Briggs and His Loudspeakers.
IM Publications LLP, 2012. ú50.00 ($75.00). Hardcover, 359 pp. Available from www.apairofwharfedales.com, www.musicdirect.com.
IM Publications LLP, 2012. ú50.00 ($75.00). Hardcover, 359 pp. Available from www.apairofwharfedales.com, www.musicdirect.com.
This business biography of hi-fi pioneer Gilbert Briggs and his company, Wharfedale, is an exhaustively researched labor of love on the part of his grand-nephew David Briggs. In a sense, the book is a prequel to Ken Kessler's KEF: 50 Years of Innovation in Sound (2011). That's because KEF's founder, Raymond Cooke, worked for Gilbert Briggs at Wharfedale from the early 1950s…
In March 2008, when I bought my PSB Alpha B1 loudspeakers, I decided that I should also buy PSB's matching SubSeries 1 subwoofer (footnote 1). It seems odd to me now that I would have considered the $449 subwoofer a necessary complement to speakers that sold for $279/pair. What was I thinking? Was I rolling in money? Certainly not. Was I merely young and fancy free? Yes and no. Was I sex-starved? Quite possibly. (See this month's "Listening.") In any case, I must have thought the subwoofer very important.
It's strange, though, because I can't recall a time when I actually used it. The…
That settled, it was time to address cabling. Stidsen outlined two scenarios. First, I could run the PSB Alpha B1s full-range using the Kimber Kable 8VS speaker cables I already had, then use "ordinary" 18-gauge wire to connect the output of my NAD C316 BEE to the subwoofer's high-level input. Because the impedance of the sub's input is high, "the effect of the wire is minimal," Stidsen explained. "It only needs to have low resistance, as there is almost no current [transfer] in this mode." The second option would be to run the better cable between the amp and the sub, "the concept being…
The promise of happiness is elusive. Is it found in the 10-hour workday? Maybe it’s spotted sunbathing on the Portuguese shoreline. Or is it found in a wider soundstage? Sartre teaches, "In life, a man commits himself and draws his own portrait, outside of which there is nothing." So if your actions define who you are, and if you love what you do, then will you find content?
Thus, I tried being a professional musician. For, I love music and playing it. I tried really hard, hair and everything. After spending each waking hour post Stereophile rehearsing in New Jersey or gigging in the…
The challenge is biblical in character, if not in scope: A half year after railing, in these pages, against our industry's overabundance of products that cost more than $20,000, fate has given me such a thing to review.
In truth, it wasn't the fault of fate or even God, but of my own doing: Having reviewed the Lamm ML2.1 monophonic amplifier ($29,290/pair) in Stereophile's October 2004 issue, and having been so impressed that I bought the review pair and kept them as my reference for a couple of years, I felt compelled to hear that amplifier's successor. My opportunity came with the…
Second, after installing 14 tubes in two mono amplifiers—every tube neatly packed and clearly marked for a single, specific socket—the user must check and, if necessary, adjust the plate voltage and plate current for each amp's output tubes. This requires a very small screwdriver—the adjustment pots are easily accessed via clearly marked openings in the top panel—and a very good digital multimeter. One of those two items is included with every ML2.2; as for the other, Lamm recommends the Fluke 87V.
Third, you must be willing and able to repeat those checks and adjustments, precisely…
Sidebar 1: Specifications
Description: Tubed monoblock power amplifier. Tube complement: two 6C33C, two 6N6P, one 6AK5, one 5651, one 12AX7. Output power: 18W into 4, 8, or 16 ohms at 0.7% THD (9.55, 12.55, 15.55dBW, respectively). Frequency response: 20Hz–20kHz at 18Wpc, –0.3dB. Input impedance: 41k ohms. Input sensitivity: 0.85V. Slew rate (48V peak–peak): 15V/µs. Signal/noise ratio, ref. 4V RMS into 16 ohms: typically 90dB A-weighted.
Dimensions: 16" (445mm) W by 8.25" (210mm) H by 20.375" (520mm) D. Weight: 81 lbs (36.8kg).
Serial numbers of units reviewed: B10253, B10254.…