In fact, what for all intents and purposes looks like adjustable lighting is a novel speaker that actually does contain ambiance LED lights in its upper arms that are adjustable for color intensity or use in light therapy. But the fixture also contains a 3" Raal ribbon tweeter that feeds a waveguard secreted between its two halves, four 3" midranges that fire up and down, and in the black cylinder on the floor, two 6.5" woofers. At the demo, a pair of these omnidirectional speakers, positioned across the room…
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After several years without distribution in the US, Peder Beckman of Norway's Electrocompaniet (kneeling on the left, next to company head Mikal Dreggevik) has quickly established a revitalized US dealer network that should number a good 10 by CES 2010. Without a long-standing reputation for affordable excellence, this would have been next to impossible to achieve in the current climate.
The company's newest product, which will debut in final form at CES 2010, is the Nordic Tone Model 1 Reference loudspeaker ($29,500/pair). This handsome, low lying baby thrilled attendees with its…
Having just heard a Bay Area Audiophile Society (BAAS) demo of the PS Audio Perfect Wave Transport ($2999), Perfect Wave DAC ($2999), and Power Plant Premier ($2199), all hosted by the ever-engaging Paul McGowan, I was very eager to hear PS Audio's front end powered by an early prototype of PS Audio's forthcoming class-D Perfect Wave amplifier. Using Focus Audio Master 2.5 speakers ($20,000/pair), two MartinLogan Descent subs, and a complement of Perfect Wave AC12 power cables ($699/meter) and older PS Audio speaker cables not currently on the market, the system delivered the kind of…
When I walked into the room of Chicago-based Acoustic Technology LLC, I thought I was listening to speakers that only had tweeters, because the only visible drive-unity was a single 3" unit. Yet the sound, a recording of Rimsky-Korsakov's Schererazade, was definitely full-range,and the soundstaging, as you might expect from such a small radiating diameter and a narrow cabinet baffle, was well-delineated.
The 3" unit, which has a titanium cone, was being used in the Acoustic Technology Classic-Series loudspeaker ($2450/pair) to cover the entire audio band. Yes, the speaker was…
Both Art Dudley and Michael Fremer have praised Gingko Audio's isolation platforms in Stereophile's pages, and at RMAF, the company was showing the benefit of its Cloud 10 platform on an Atmasphere tube power amplifier. Projected on the wall above Gingko's Vinh Vu (and onto his forehead!), real-time analysis showed the outputs of B&K accelerometers fastened to the stand the amp was sitting on and to the amplifier chassis, which was supoorted by a Cloud 10. There was indeed a dramatic reduction in the excitation of the amplifier compared with the stand—especially at low frequencies…
Bless Ray Kimber's heart. For at least the last three years, Kimber Kable has transported live musicians to RMAF so that we could always have a fresh, live reference in our heads as we traipsed room-to-room listening to canned performances.
Pictured is clarinetist Russell Harlow, who prefaced John Atkinson's final installment of his seminar on dynamic range compression, with a lovely short performance of Bach. Sitting up close, no one could miss that the clarinet's sound has no sharp digital edge, and that the exaggerated breathiness we often hear around recorded winds is much less…
John Atkinson was one busy camper at RMAF. In addition to blogging the show and moderating Saturday afternoon's information-packed, standing room only Computer Audio Panel, John presented four hour-long seminars entitled PC Audio—Squeezing the Music Till the Bits Squeak, playing all his music examples from his MacBook laptop via a Metric Halo FireWire interface. The setting was Evergreen E, the large, excellent-sounding exhibit (Sony and JBL speakers, Mark Levinson amplification, EMM Labs preamp and digital source components, Kimber kables) assembled by Ray Kimber of Kimber Kable.
At the…
My attention was caught by the USB flash drive sticking out of the side of the Aura Premier CD player/receiver/headphone amplifier ($2595) in one of the April Music/May Audio rooms. And so it should have caught my attention, because it was styled by noted English industrial designer Kenneth Grange, responsible for some of ther classic B&W designs on the 1970s and '80s. The Premier will play MP3, WMA, and Ogg Vorbbis files from its USB-B input and it also has a USB-A port that will accept data sampled at up to 48kHz with 16-bit resolution.
Listening to a Toni Braxton cut on the LSA1 Statement speakers ($2599/pair), driven by an Exemplar-modded Denon 2910 DVD player and LSA's hybrid integrated amplifier (reviewed by Stereophile when it was called the DK Designs VS.1 Reference Mk.III), I was struck by how much low-frequency information was coming from this nicely finished two-way stand-mount.
LSA's products are all available in three levels of performance: Standard, Signature, and Statement. In the case of the LAS1 speaker, the Standard version costs $999/pair and uses a 1" soft-dome tweeter; the Signature at $1499/…
"This wasn't our choice of music," whispered German Physiks' Robert Kelly when I entered the room they were sharing with Danish electronics manufacturer Vitus Audio. "No problem," I whispered back, " I love Howard Shore's symphonic score to the movie trilogy Lord of the Rings," which a visitor had asked to be played.
The speakers were the Borderland Mk.IV ($34,995/pair), driven by a Vitus SCD-010 CD player ($20,000), Vitus SL-10 line stage ($28,000 wity system remote), and a pair of SM-010 40W class-A monoblocks ($50,000/pair). The sound was open and transparent, as it should be…