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Stereophile Shows in the past always had full programs of live music, to allow Showgoers to recalibrate their ears. While Axpona had a live concert Friday night featuring Steve Davies on guitar and vocals and John Yurick on keyboards, with me guesting on bass, this was for exhibitors and press only. Fortunately, John Yurick performed live on piano in the hotel's lobby during Show hours, offering up some excellent jazz standards.
After much too long a hiatus, Stereophile again pierced the digital shield with the return of its “Meet the Editors” panel. Although a poorly publicized schedule shift from Friday to Saturday afternoon diminished attendance in the seminar room, those present asked about everything from Stereophile's influence on the High End and integrity amongst audiophile publications to our favorite rooms at the show. While an objective report is impossible —as far as I know, there are no prices on our heads that we can list—it's fair to say that attendees got a pretty good sense of who we are as…
I almost missed the Nightingale display. The first time I tried to enter the room, there were so many people involved in post-listening conversation that I skipped it. Happily, the Axpona organizers alerted me to my omission, enabling me to leave the show on a high note. And once I took a listen, I understood why people were spending so much time discussing what they heard.
Nightingale products, I soon learned, are manufactured by Simetel, an Italian corporation. Introduced by Valentina Ross, US distributor for Nightingale and Concentus and daughter of Simetel's CEO, and Biagio…
Did Koetsu USA's room have the best sound at the show? It's hard to tell. Since my goal was to cover every single room at Axpona without playing slam, bam, thank you ma'am, I intentionally skipped set-ups John intended to cover. Those included some of the big players: YG Acoustics/Krell, Acapella/Einstein, the huge Legacy speakers, Belles/Advanced, and Mark Waldrep's huge, powerful AIX surround set-up with its five Thiel CS3.7s, two Thiel subs, four or more Boulder amps, DH Labs cabling, and Oppo player. Unfortunately, I also skipped the Ayon Audio exhibit, which I thought John was…
I had respected more than loved the Legacy speakers I have heard in the past, but without a doubt one of the best two-channel sounds I heard at Axpona was provided by the giant Helix loudspeaker, shown here with Legacy founder/designer Bill Dudleston. Front-end at the Show was an Ayon CD player, and the speaker's crossover is implemented in the digital domain using FIR filters and 24-bit DACs and the six channels of amplification were provided by two three-channel McIntosh MC303 amplifiers. The speaker is actually a four-way; there is a rear-facing 15" subwoofer driven by twin ICE-…
"If you've ever wondered what the future of recorded music is going to sound (and look) like, you should be sure to check out the AIX Records demonstration in the Port Ballroom," said the AIX/iTrax.com ad in the Axpona show guide. I started my Show itinerary by visiting this room, and in some ways, nothing I subsequently heard at Axpona matched it. Mark Waldrep was demonstrating his surround recordings in full 24/96 resolution from Blu-ray, played on an Oppo player, with five Thiel CS3.7 speakers and two Thiel subs driven by Boulder preamps and amps via DH Labs cabling. The AIX…
At last, after 16 years, the South East has again hosted an audio show of considerable merit. Even more significant than the number of attendees, which according to many seasoned observers exceeded attendees at the first Rocky Mountain Audio Fest six years ago, the first of what will hopefully be many Axponas connected dealers, distributors, and manufacturers with music lovers in deep and satisfying ways.
Created by Steve Davis and Andrew Spaulding, with the help of Kanner PR, and sponsored by Stereophile, Axpona took place in Jacksonville, Florida March 5–7. Staged in the Wyndham…
So, this is what the mess looks like right now.
I’m not sure if this is how the mess will look a week from now. I’ve got a bunch of friends helping me sort it out. While it’s cleaning up alright, I’m having some trouble with that bookcase lying behind the speakers. For one, it’s visually distracting. Distractions, even the visual sort, can alter one’s mood and make for a less enjoyable listening experience. Second, I believe that my soundstage is now shallower than it was when the Polycrystal equipment rack stood between the windows. Then again, maybe the shrunken…
I brought a bag of tapes to work today.
How cool is that? I mean, really. I wear jeans and a t-shirt and I carry a bag of tapes to the office. Life, I'm here! I made it!
Make it real, make it real, make it real. Make it real what? Make it real good. Make it real hard. Make it real long. Make it real.
Pocahaunted makes it all ways. Make It Real is my new favorite Pocahaunted release, surpassing the last one by simply being the latest but also by being the freshest. Make It Real has cowbell and organ; has disco boots; is hazy, hot, and humid; is funkier and fresher than anything Pocahaunted has ever released. If you recognize that dubbed-out, laidback sway, it’s because you know Sun Araw’s Cameron Stallone, lucky bastard, on guitar and…