"We use the method I used to employ at ScanSpeak," said Goller. "I have a great team and I give them ideas about new drivers, then I let them work them out. At the end of the process, I listen, I make changes, and I listen again. I don't really measure that much—at least not in the design part of the process. When I say. 'we…
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Stephen Mejias and I trekked out to GamuT/Scandinavian Audio Research (ScAR) house on our travel day after the show closed. We sat down and talked to Lars Goller, formerly drive-unit designer at Vifa/ScanSpeak and chief designer at GamuT and ScAR (OEM drivers).
"The Sonics by Joachim Gerhard Amerigo loudspeakers ($5500/pair) are the first speakers Joachim has ever designed specifically for the American market," said Immedia's Allen Perkins. "I designed the cabinet dimensions and suggested we use an American veneer like Zebrawood or Bird's-Eye maple, then Joachim developed drivers and a crossover network. Funny thing, he said it had the lowest distortion he'd ever measured."
It surely sounded big and beautiful. "Thank you, we think so, too."
How'd you come up with the name?
"Oh, I don't have much imagination. When I…
I was rocking out in the DeVore Fidelity/Tone Imports room, listening to Polly Jean Harvey. In the midst of the hurly-burly of CES, I was feeling no pain. "I love the way you guys decided to set your Silver Diamondback References up assymetrically," I told JDV.
"It's the only way we could get the separation we needed," said John DeVore. "Those things," he pointed at Tone Imports' EMT TSD cartridge ($2200), the Tone EMT 997 "Banana" tonearm ($4495) and the monophonic Sentech EQ10 phono curve equalizers ($3000/each), "throw such a huge soundstage, we just couldn't do it with the…
Immedia's Allen Perkins was running not one, but two Spiral Groove turntables. He was running the original SG1 ($20,000) with Continuum's new Copperhead tonearm ($12,000), but he was also debuting his new SG2 ($15,000) with a Triplanar Ultimate tonearm ($4200).
Differences between the SG1 and SG2 include aluminum motor pulley, platter ring, and clamp, rather than the SG1's stainless steel, and a three-layer aluminum/Sorbothane plinth rather than the five-layer in the original. It also employs a bolted-on armboard rather than bayonet fit. The SG2 weighs about 60 lbs.
"I…
I think it's now official: moving the high-performance audio exhibits last year from the Alexis Park to the Venetian has been a complete success. The sound in the tower rooms has been excellent, and exhibitors seem to be finding ways to tame the more problematic acoustics of the large conference rooms on the third floor. And whenever you wanted to take a break, you were only a few steps away from the fake-but-surprisingly-convincing ambience of St. Mark's Square, where it's always early evening, and you don't need an excuse to have some gelato. Ciao!
Throughout 2006 and much of 2007, we got the feeling at Stereophile that most audiophiles were scoffing at the idea of a music server in their system.
But sometime last year, perceptions changed. Here we are at the 2008 CES and music servers and related products are popping all over the Venetian and at THE Show.
And then there were the surprising online poll results this week.
We asked in our Vote this past week if you are ready for an audiophile music server, and the response and number of comments have been overwhelming. A whopping 32% of you already have a server of…
It must be the week after the Consumer Electronics Show: I'm all written out on consumer electronics, my feet hurt, and I have a cold. All three happen every year.
I spent my downtime yesterday—my "travel day" back from Las Vegas got me home around 2am Saturday, so that day was essentially shot—surfing the web, looking at CES reports. Somehow, every year, the mainstream press gets the focus wrong, concentrating on what will be the next big thing. Large electronics companies don't know what the next big thing is—they're just throwing a bunch of spaghetti on the wall, hoping some of…
In yesterday's philippic about CES's petty annoyances, I said that I continue to be a recidivist in spite of them. The reason? Pretty much that the high-end portion of the industry remains a fascinating, personal, and essentially civilized place.
No, it is not that CES allows me to glimpse the direction of audio technology over the coming year.
Truth be told, the high-end is frequently as clueless about the next big thing as the big guys. This year, for example, it seemed like iPod docks were everywhere. That's not a bad thing, but as Stereophile web monkey Jon Iverson…
In my last blog, I referred to “my friend, the pianist Frank Kimbrough,” so some of you may be leery when I tell you in this entry that Kimbrough’s new CD, and his first solo work, Air (on Palmetto Records), is a terrific piece of work, one of the half-dozen or so great solo piano albums of the past few years. If your suspicions keep you from checking it out, well, your loss.
I’ve been listening to Kimbrough for 20 years now, ever since he was a protg of Shirley Horn, up through his years as co-director (with bassist Ben Allison) of the Jazz Composers Collective, his longtime stint in…
It was a quarter to five on the last day of the show, and I was feeling good. I mentioned this to John Atkinson. He was sitting there beside me. The bus was empty but for us. We were waiting to go back to our hotel, waiting to leave the noise and smoke and lights of the crowded, extravagant Venetian. The place is madness. All of Vegas is madness.
That's not true. There are parts of Vegas I've only glimpsed, have only imagined, haven't seen. There are parts of Vegas that are long and narrow and covered in sand-colored stone. People live there.
It's always this…