Still, it's nice to see this stuff getting some primetime, mainstream coverage,…
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Did you dudes catch that little segment on PBS last night about analog recording versus digital? I did. It was alright. I don't think of these things in terms of a battle, mind you, where there's a bruised but happy winner and a bloody and beaten loser, but mainstream media seems to like taking that approach. I guess it's more palatable that way. To me, there's room in this world for both methods. Have you seen Ultimate Fighting Championship? Now, that's a battle. Analog versus digital? Not so much.
"The globalization of the SYF reflects a series of stunning demographic and economic shifts that are pointing much of the world—with important exceptions, including Africa and most of the Middle East—toward a New Girl Order. It’s a man’s world, James Brown always reminded us. But if these trends continue, not so much."
Huckleberry doesn't care what I call it, that mouse thing is only interesting when I want to use it.
It’s a mystery how Carla Bley’s new CD, The Lost Chords Find Paolo Fresu (ECM), achieves its greatness. Even the word seems too freighted for music so minimal. A scale segues into a simple melody, followed by a straight harmony, some swishes on snare and hi-hat, a bass line that follows an equally simple counterpoint. Yet some quirky gravity holds these strands in magical equipoise, like a Calder mobile.
The album’s title is less Dada than it may seem, though the effect is no doubt intended. The Lost Chords is Bley’s longstanding quartet—herself on piano, Andy Sheppard on sax, Steve…
Terry Jones 'fesses up that The Life of Brian might have been even more controversial than it was—thanks to a couple of deleted "Otto" scenes. However, says one of the two "nice" Pythons, that wasn't why he cut the material.
I caught Sahara on the tube the other night, and thought its blend of pure mindless fun and solid barely plausible technical background was perfect. It wasn't a great movie, but it was a great guy-flick.
It made me wonder if Cussler's novels share that gee-whiz quality. So does this CS Monitor interview.