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For the second year running, Head-Fi held a CanJam meet at the 2010 RMAF, with headphone-oriented companies like Sennheiser, HeadRoom, Centrance, JH Audio, BeyerDynamic, Audeze, Head-Direct. Moon Audio, Ray Samuels Audio, Westone, and Ultimate Ears exhibiting in the humongous space of the Marriott's Rocky Mountain Event Center. At the bottom left of the photo is reviewer and occasional Stereophile contributor Steve Guttenberg checking out some BeyerDynamic cans.
I'm afraid the companies exhibiting in this room will not be adequately served by this blog entry. David Salz of Wireworld was not available, and I never got details on his cabling other than word that his new, top-of-the-line USB cable got caught up in FedEx drama and didn't make it to the show on time. All I know is that the big speaker was the eye-catching, glass-enclosured Waterfall Niagara from France ($54,000/pair), which has 89dB sensitivity and a frequency response of 36Hz–28kHz ±3dB, and a Cary 300T SACD player ($6500) and Cary monoblocks ($10,000) were called into action.…
One of the many graphs Nordost and Vertex displayed at their research presentation was of time-domain error in a CD player, ie, the difference between the data on a disc and the output of the CD player. It ain't pretty. Other graphs showed reduction in error with the addition of cables, supports, and power products (specifically, Nordost's Quantum). All these graphs will be downloadable from the websites of Nordost and Vertex EQ within a matter of weeks.
At RMAF 2009, Nordost shook up quite a few audiophiles by announcing preliminary results of research that can measure and validate the positive effects after market cabling, supports, and power products. One year later, Nordost announced that the research, jointly conducted by Nordost's competitor, Vertex AQ of the UK in collaboration with military electronic-engineering consultant and sonar expert Gareth Humphries-Jones of North Wales, has taken a major step forward.
Last year, Roy Gregory of Nordost and Steve Elford of Vertex AQ (pictured, with Elford on the right) projected a…
I wonder if our expectations drop somewhat when walking into a room occupied by small, inexpensive, neatly organized gear. The contrast from the massive, overwrought, wildly expensive components found in some rooms is undeniably refreshing, and might allow the music to take center stage. Such is always the case with Audioengine, makers of adorable loudspeakers whose quality belies their small size. The more I learn about the company and the more time I spend with their speakers, the more it seems that they’re here to stay. In fact, I expect great sound from Audioengine. The…
Clean and refreshing music and sound in the Audioengine room, from left: A5 active loudspeaker ($349/pair), P4 passive loudspeaker ($249/pair), N22 desktop amplifier ($199), and A2 active loudspeaker ($199; reviewed by Bob Reina).
I had been aware of TTWeight’s line of beautifully crafted, heavy-duty phono accessories—center weights and clamps, outer rings, and mats—and while I knew that TTWeight’s Larry Denham also designed turntables, it wasn’t until seeing them in person that I fully understood the extent to which Denham has gone in perfecting his designs. Turntables aren’t just a hobby or side project for Denham.
Listen to Denham speak, and you’ll hear a man with a clear vision and the knowledge and skill to bring that vision to life. It was a joy to hear him talk, though most of what…
Composer and artist Joel Durand (left, who in his free time designs beautiful tonearms) and TTWeights’ Larry Denham flank the mightily impressive Black Onyx turntable ($15,000).
At one point during a demo, Denham banged the crap out of the Onyx’s center weight—while a record was playing!—and the turntable didn’t miss a beat. It was absolutely impervious to Denham’s attack. And Denham is a pretty big dude.
The high-mass platter uses five layers of decoupling, and each component is CNC-machined. Three speed options are selectable via a cool, industrial…
Kosmic’s Joe Pittman stands beside a Sota Millenia turntable equipped with a Kosmic tonearm and Magic Diamond cartridge, sitting atop a Kosmic equipment rack. Kosmic, a company that was new to me, manufacturers a tonearm, a music server, and equipment racks, which seemed like a strange product line. When I asked Pittman about it, he simply replied that all three areas are integral to the overall performance of any system. The Kosmic Server ($2295 with 500GB hybrid drive) stores approximately 1600 CDs in FLAC format, and provides FireWire and USB 2.0 output up to 32-bit/384kHz…
It was a pleasure to meet with Genesis Advanced Technologies’ Carolyn Koh and Kosmic’s Joe Pittman in “one of the few rooms where everything is made in the USA.”
The system was made of a Sota Millenia turntable ($9500) equipped with a Kosmic tonearm ($3200) and Magic Diamond cartridge ($6500), Balanced Audio Technology (BAT) VK-P10SE phono stage with Super-Pak ($9495), BAT VK-D5SE CD player with Super-Pak ($9500), BAT REX linestage ($20,000), BAT VK-55SE monoblocks ($11,900/pair), a DIY Genesis music server with modified Weiss Minerva DAC, and cables, interconnects, and power…