Have I ever mentioned that we share this floor with the lovely ladies of Soap Opera Digest and Soap Opera Weekly?
That’s right.…
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Several years ago, under different ownership, the magazine was moved from our 110 Fifth Avenue office in Union Square to our current 261 Madison Avenue location in Murray Hill. They put us on the 9th floor. It was nice. I made some friends. A couple of years later, we were moved from the 9th floor to the 6th floor. And a couple of years after that, we were moved again, from the 6th floor to our current location on the 5th floor.
Judging from the sound, Inex Innovation is onto something really good. Begun in 2004 "by a gang of audio enthusiasts. . . with strong engineering backgrounds in the field of fiber optics and telecommunication," the company specializes in manufacturing cables and equipment that incorporate high-end telecommunication fiber-optic technologies.
When I entered the room, I was dismayed to find Céline Dion's "My Heart Will Go On" from the movie Titanic sounding intolerably bright. But since everything that followed sounded superb, I shall chalk that one up to a bad recording or transfer…
At the other end of the room from the JBL Everest DD-66000 I wrote about on the first day, Design Interaction was switching between the JBL 1400 Array ($11,000/pair) and Revel Ultima2 Salon loudspeakers ($22,000/pair), both speakers very well-reviewed in Stereophile. Heard through a dark-charactered Mark Levinson No.532 amp ($20,000), No.512 SACD player ($15,000), and No.526A preamp ($10,000), hooked up by MIT Oracle cables ($3500, with allocation not specified), the much fêted Revels smoked the less expensive JBLs, I thought.
Specifically, the JBLs had a bright, edgy top and…
Rarely do I have time to visit a room twice, let alone space to post multiple blogs on a single exhibit. But because deHavilland/KE Engineering's Kara Chafee first showing of her KE Engineering/deHavilland Model 222 Magnetic Tape Playback Preamplifier ($1,995) was severely handicapped by the lack of her deHavilland KE 50A monoblock power amplifiers ($9995/pair), which had been delayed in shipment, I made sure to return when I learned that the amps had finally arrived.
Kara has designed her latest preamp (pictured perched atop a vintage Ampex machine) to support her open-reel habit…
Given that the DarTZeel-Evolution Acoustics-Playback Designs room at T.H.E. Show 2010 blew both me and John Atkinson away, and earned my "Best of CES 2010," I was extremely eager to take another listen.
To say that, in an even smaller room, Jonathan Tinn of Portland's Blue Light Audio had set up a more modest reference system will have some readers guffawing at the prices. The cost of the Evolution Acoustics MMMiniOne loudspeakers ($15,000/pair), plus integrated stand system ($7000) and integrated subwoofer ($5000), is no small hunka change. Throw in the darTZeel CTH-8550 Reference…
In his second, equally well-appointed room at the CA Audio Show, Elite Audio's Michael Woods was telling a visitor "People think that Meridian equipment is only for showing movies. But it's excellent for audio as well."
Given the price of components—$19,995 for the 808i.3 CD/preamp, $7500 for the Control 15, and $34,995/pair for the DSP7200 speakers—Meridian had better sound good on audio. In fact, it does.
With zillions of albums displayed on the Sooloos Media Server's screen, I decided to wax nostalgic and opt for classic Barbra Streisand. I thought I knew what I was…
Constantine and Ann Soo deserve a huge thank you from the audiophile community. Responding to pleas from insistent dealers and distributors, who lamented the absence of an audiophile show from the San Francisco Bay Area, Constantine and dagogo.com took a huge risk.
In a little over four months, Constantine secured the relatively small-scaled Hilton Garden Court in Emeryville, and booked at least 34 exhibit rooms displaying well over 100 brands. He spent a bundle on advertising, getting major boosts from ads on stereophile.com, jazz station KCSM-FM, and also from our show preview.…
I received an interesting call today from a man named David Garrett in Atlanta, Georgia. David has 25 years of experience as an architect (in fact, he grew up in Highpoint, North Carolina—“Furniture Capital of the World”) and, for the last 13 years, has operated his own interior design company. He is aggressively and enthusiastically looking to change directions, however, and has recently started an LP rack business called Nomad Crates.
“I’m 49 years old, so I have plenty of good experience and I’m still young enough to put it to work.”
David wanted to design something…
Photo: Melissa Horn
A pause to celebrate Roberto Bolaño’s 2666, which I am deep into:
Roberto Bolaño’s 2666 is tremendously good. I’ve never read something so consistently, so powerfully beautiful, horrible, and enthralling. I adore it and abhor it, and when it’s within my grasp I feel like a stronger person. It’s like being at a Sonic Youth show, like being in punch drunk love, like listening to your favorite record on your hi-fi and knowing the experience couldn’t be better, no matter what: With 2666, Bolaño fools you into thinking he is the only writer and his is the…
It’s a truism that writers naturally do not want to swallow, but dammit it’s true: a picture like the one above can be worth more than a thousand words.
Last Sunday night, at B.B. Kings in New York City’s answer to Hades and Hiroshima, Times Square, Stereophile contributing editor David Sokol, his lifelong friend David Simons and a cast of thousands including a horn section of very talented teenagers, staged a very wonderful musical tribute to the Kinks album, Muswell Hillbillies. The intrepid Mr. Sokol proudly wore his Stereophile cap throughout the set as he sat behind his kit…