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Electrocompaniet's display had something for everyone. In their entry room, Electrocompaniet's US distributor, Peder Beckman of Oakland, was demming a small system and a medium system. With prayers that I am not assailed in the comments section for going for Electrocompaniet's high-end system, I headed through a terribly squeaky door for the second room, where Peder's partner, Adam Piotrowski, was showing the Nordic Tone loudspeakers ($29,500/pair), EMC-1UP CD player ($7290), EMP-1 SACD/DVD player ($9990), EC4.8 preamp ($4990), and AW600 Nemo monoblocks ($8950 each). I was especially…
One of the high points of my time blogging the first Stereophile-sponsored Axpona Show in Jacksonville was hearing the Audience ClairAudient 16+16 loudspeakers and meeting John McDonald. This time, John went from extremely large to relatively small. Instead of the 16+16 or 8+8, he brought his smallest loudspeakers, the Audience ClairAudient 2+2 ($5000/pair), augmented by a prototype ClairAudient subwoofer ($5000).
Looking at their size and frequency response, and the small size of the room, I decided to take a listen to smaller-scaled music. First up was the Bobo Stenson Trio on…
How this Oakland resident has lived all these years without knowing about the Profundo distributors in El Cerrito, just two cities over, is beyond me. Regardless, I'm sure glad I got to meet them, because their combination of Transfiguration, Trenner & Friedl, and Heed was making extremely mellow sound. Whether it was Norah Jones singing "Not Too Late" or Bruce Springstein's LP, Ghost of Tom Joad, the system sounded beautiful, smooth, and extremely musical.
Auditioned were the Transfiguration Orpheus L phono cartridge ($6000), paired with a Basis 2800 table and Vector 4 arm;…
Teresonic's pairing with Garth Leerer's Musical Surroundings was full of surprises. I confess that I have not enjoyed Mike Zivkovic's single-driver Lowther-powered speakers in the past, finding them unduly bright. Here, they sounded very warm and inviting.
Garth began with a solo guitar recital by Klaus Jächie, Una hora española, issued on the Clearaudio label. "Just gorgeous," I wrote in my notes. Then came a section of Mendelssohn's Symphony No.3 on Decca. Here, the room's bass problems could not be avoided, but the highs and mids were glorious. The sound was unquestionably…
An experience in the impressive room assembled by highend-electronics of Apple Valley, CA emphasized the importance of carefully choosing your demonstration discs. As I settled into my seat, a very assertive visitor asked if he could audition two CDs that he brings along to check out deficiencies in equipment. Once obliged, he began to assault us with two tracks of raucous, ear-burning music. I watched the folks next to me wiggle with discomfort as I put my fingers to my ears on the second track.
"Thank you," said the visitor, mercifully cutting each track short. "That's all I need…
The California Audio Show welcomed the debut showing of the eye-catching JIB line of cables. I say eye-catching because the diminutive sound system at one end of the room was intended solely to provide soft background music for a static display.
Made in Germany and China, these cables first arrived in Fremont, CA a few months ago. They are currently sold factory-direct on the Web, and await establishment of a dealer network. The beautiful 63-page, 8½" x 11", color catalog, complete with standard Chinese-authored English, was certainly enticing. Manager Allen Ong (left) and an…
The Simon Yorke S10 Record Player ($19,950), now imported into the US by Tim Nguyen's Tone of Audio in San Francisco, is the replacement for the former Simon Yorke S7. That's the table Michael Fremer used as his reference for 10 years until the far, far more expensive Continuum Labs Caliburn entered his life in 2006. The new S10 is completely hand-machined on a lathe by Simon and his son Spencer from solid raw blocks of aluminum and non-magnetic iron.
Beautifully matched with the Convergent Audio preamp ($9950) and Jl2 signature amp ($19,950), and heard through Quad ESL-2805…
Music Lovers Audio of Berkeley and San Francisco had the big and small of the Wadia line on display. When I entered the room, the Wadia 571 CD/digital preamp/DAC ($13,950) was on standby, and Wadia's diminutive 170 Transport iPod dock ($379) and 151 PowerDACMini ($1195) were doing the iPhone.
It was quite the upscale dance, given that the associated equipment included the Luxman M801A amplifier ($16,000), and Sonus Faber Audita M speakers ($5800/pair). Cabling included Transparent's Reference MM speaker cable ($10,000/8ft pair) and balanced interconnects, and Synergistic Research's…
Grant Fidelity of Calgary, Canada specializes in low-cost, high-value equipment from China. To get an idea of the huge number of components on display by the company whose motto is "Hi-End, Not High Priced," please check out the list on their website. There you'll find a complete list of components on display, descriptions, and pricing. You'll even discover a host of photos taken at the show.
Responding to my request to set up the combo Ian Grant and Sherry most wanted me to write about, I was treated to the Shengya 200wpc A206 integrated amplifier ($1650 factory-direct), Shengya…
Two more recent articles on the cassette tape revival: The Los Angeles Times tells us “Cassette tapes are back in the mix,” while Fact Mag offers “Cassette Playa: in praise of tapes.”
Both articles make interesting points.
From the LA Times:
And yet across pockets of America and especially among shoestring record labels, DJs and boutique stores in Los Angeles, this weird uncle [the cassette] is again a welcome guest. A tiny but busy tape-based music culture is growing from roots in economic necessity, thrift-store crate-digging and, yes, a pride in being…