Equally last-minute were the online registrants who, at midnight on the 29th, had decided to save $5 in registration fees by taking advantage of the last-minute pre-show registration discount. With pre-registrants numbering at least 510, and…
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Things were all a bustle as the California Audio Show got underway at the Hilton in Emeryville, right below Berkeley and Oakland, and across the bay from San Francisco. Happily surprised by a number of last-minute exhibitors, promoters Ann and Constantine Soo had lost count at "something over 100 exhibitors/brands" and 34 exhibit rooms.
Every new venue presents new acoustic challenges for exhibitors. Deniz Daldal of Design Interaction in Emerald Hills (part of unincorporated San Mateo county, near Redwood City), wondered if the bass ringing in his room was due to the cement in the floor and back walls. "We need more stuff," he told me, but there was no more stuff at his disposal.
Problems were also manifesting in the light fixtures, which were rattling due to the prodigious bass of the JBL DD-66000 Everest loudspeakers. Here, one of his associates, Grayson Wolf, is engaged in an act of creative desperation, trying…
On ground level in the Design Interaction room, a pair of JBL DD-66000 Everest loudspeakers ($60,000/pair) were especially imposing in the bass department. Driven by the Mark Levinson No.326 preamp ($10,000), Levinson No.512 SACD player ($15,000), a discontinued Levinson No.433 ($11,000) on the bass, a Pass Labs XVR01 for the crossover, and a Pass Labs XA30.5 30Wpc class-A amplifier on the horns, all connected by MIT cabling, the system had great authority. The presentation had the characteristically dark Levinson sound, with some curious extra bass resonance on the voice of mezzo…
Award-winning sound engineer Cookie Marenco had so much to offer audiophiles that it was hard to know where to start. Each day at 11 and 4, she is presenting live acoustic recording sessions with a host of different solo performers, duos and trio, complete with discussions on how to download files. Cookie promised that the recordings would be available for downloading from www.bluecoastrecords.com/freedownloads within 24 hours.
Key to this live-download miracle was the presence of Gus Skinas of the Super Audio Center. As a key participant in the early development of DSD, Gus was…
Given how enthused my fellow Stereophile editors were over the sound of the Legacy Audio speakers at this year's Axpona Show, I was really looking forward to hearing them. I was also looking forward to hearing the pricey, eye-catching Win Analog SET electronics, which had not fared well at a recent demo for the Bay Area Audiophile Society (BAAS).
Unfortunately, the mammoth Legacy Audio Whisper XD ($20,000/pair), which boasts 94dB sensitivity and comes complete with DSP-implemeneted crossover, was not a good match with the Win Analog V series amps ($75,000/each). Given their…
When I entered the Audio Note UK room, someone was in the midst of auditioning a CD of exotic Chinese instruments. The strings sounded beautiful, the highs lovely. On solo piano, the system had a very quiet, enticingly crystalline purity. Soprano Elly Ameling's voice sounded equally beautiful, the voice clear and radiant, even though her piano accompaniment was strangely bloated and over-emphasized. That was no doubt due to room problems that other exhibitors tried to tame with ASC Tube Traps.
Auditioned were the Audio Note CD4.1 x ($9500), Jinro 211 SE integrated amplifier ($21,…
Acoustic Science Corp's Chris Klein had his work cut out for him. His Tube Traps were in eight rooms at the show.
"We were slated to be in three rooms, but I knew people would encounter serious bass problems," he explained. "So I brought a whole truckload of products down from Eugene, Oregon, and I could have brought a second truck and dispensed all those products as well."
The main problems Chris encountered were bass loading in the smaller rooms and flutter echo in the larger ones. Most rooms, he explained, needed six to eight Tube Traps, many placed right alongside the…
Given how good Wireworld's Platinum Eclipse cabling sounded with deHavilland and Glow electronics, I was delighted to encounter Wireworld's David Salz demming another Glow/Sonist system in the adjoining room. I'm sure Wireworld's Equinox 6 interconnects ($200/pair), Equinox 6 bi-wire speaker cables ($750/pair), Stratus power cords ($100/2m), and Matrix power strip ($120) were doing just fine. So, I expect, was the source, a Cambridge 550C CD player ($595). But the Glow 832 SET 7wpc stereo amplifier ($795) was challenged driving the 93dB-sensitive Sonist Recital 3 floorstanding…
Kara Chafee of deHavilland/KE Engineering was excited to show off her KE Engineering/deHavilland Model 222 Magnetic Tape Playback Preamplifier ($1995). It, the deHavilland Mercury III linestage preamp with remote ($4495), Sonist Concerto 3, 95dB-sensitive, floorstanding loudspeakers ($3495/pair, or $4195/pair in all wood), and top-of-the-line Wireworld Cable Technology Platinum Eclipse interconnects ($4300/1.5m/pair), Platinum Eclipse speaker cable ($13,3000 for a 2m bi-wired pair), and Silver Electra power cords ($700/2m) arrived intact at the Show. So did the Cary 306 SACD/CD player…
The sound was special in Michael Gliksman's High Value AV room. "Really smooth, midrange rich," I wrote in my notes as Rosa Passos and Ron Carter created bossa nova heaven on their great Chesky CD. The soundstaging was quite lovely, with great height. Yes, the sound was a bit dark (which many audiophiles prefer), but it was also extremely mellow and inviting.
Most prominent was the Emerald Physics CS2.3 point-source dipole loudspeaker ($4450/pair, and due for a price increase very soon). Since there aren't many places to audition this baby, Gliksman offers a free dinner to anyone…