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Then there's this site full of awesome Asian record covers from the 60s and 70s. (Thanks Eden.)
You've become acquainted with The Daily Beast, but do you know The Daily Audiophile? The two are kind of similar. On the former, you can read about nude New York City dinners, while on the latter, you can read about hi-fi reviews. See what I mean?
I'm always happily surprised when I find audiophile-related sites on the web. I'm not sure how I came across The Daily Audiophile (oh, yeah, I was Googling myself again), but, noting its clean design and friendly voice, I was impressed. So, I asked The Daily Audiophile's founder, Mark Wieman, a few questions.
The site was…
Wednesday
Before my bandmate and frontman Mike Baglivi showed up for a one-on-one guitar session, I listened to my recently purchased Manolo Sanlucar album, Mundo y Formas de la Guitarra Flamenca, Vol. 2. Sanlucar scales the fretboard with such speed and precision. While Paco De Lucia has the fury and fire that made him so famous, Sanlucar played with a certain reserved/professional quality, focusing more on the composition and the progression of the notes. Well Manolo, just know, your clarity is appreciated.
When Mike arrived, he asked if it was me playing.
We then…
The year’s not quite over, but it’s a safe bet that Sonny Rollins’ Road Shows Vol. 1 (on his own Doxy label) will be the best jazz album of 2008 and rank among the best of the decade.
Rollins, still strong and agile at 78, remains not only the “saxophone colossus” (as he’s been dubbed since his album of that title 51 years ago) but also the last heroic figure of jazz—the soloist (usually a horn player) who stands at the front of the bandstand and unleashes his soul through the frantic majesty and force of his long improvisations, much as an Action Painter would on his canvas. (Rollins…
Jimmy Boyd's "I Saw Mommy Kissing Santa Claus." Columbia, 10" (MJV 152).
Saturday, December 6—Sunday, December 14, 11am to 6pm: The ARChive of Contemporary Music (54 White Street, New York City) will hold a RECORD + CD SALE.
The sale will consist of 92.6% new stock, boasts the ARC, with tons of jazz, punk, and new wave. I have never attended the ARCive Record Sale—I missed this summer's event, making me especially eager to hit this one up—so, it'll be 100% new stock to me.
For more info, visit the ARC's website or call (212) 226-6967.
It is November 14th, and it's hot as heck outside. I wonder how many polar bears just died. That's not funny. The arctic is vanishing, the oceans are rising, we have brown clouds in the sky. Awesome. We are doomed. Screw it. Let's buy some vinyl!
It may not feel like Christmas is right around the corner, but what the hey, that doesn't mean we shouldn't enjoy the great sweep of holiday sales. Light In The Attic specializes in vinyl reissues of obscure recordings and lost classics from around the world—garage rock, psychedelic, tropicalia, punk, funk, soul, folk, all…
Thursday, December 4: The Sound Experience (233 South Federal Highway, Boca Raton, FL) will celebrate their official grand opening with a listening party. Michael Fremer is the guest of honor and will give an analog clinic. RSVP: (561) 391-7868. For more info, visit The Sound Experience.
It's Friday evening. I would like to be at home, sitting on the orange couch, a beer in my hand, the light rain tapping against my windows, listening to Grails' Doomsdayer's Holiday. Sounds bleak, doesn't it? But Grails are really kind of perfect for this sort of warm, rainy autumn night, with their dark mix of Eastern psychedelia, folk, metal, and free-jazz ramblings. Beautifully recorded, too, with heart-jolting impact and sweet, sweet dynamic range.
Is that 100 words?
I'm practicing for this weekend's "Record to Die For" workout. We are now beginning production…
Friday
With the Buyer's Guide coming to a roaring end, I couldn't wait to relax over the weekend. I told Stephen that I could work on Saturday, but he insisted on being the coolest boss ever and told me to go home and listen to music.
To celebrate my Buyer's Guide freedom, I played Rush's Hemispheres. Though not one of my favorite Rush albums, on vinyl, the album has particular intensity not captured on CD: an aggressiveness, a rip-roaring tear through the seams of rock'n'roll. Alex Lifeson's guitar is huge and demanding. He adds so much presence and girth to the power trio.…