Called "The Point," the coaxial driver uses a single layer of TPX polymer, reinforced by radial ribs, to create a driver of unusual rigidity without adding mass. The "bass module," which is to say everything up to 200Hz, is first…
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Kevin Wolff, Vienna Acoustics' new international sales manager, poses next to the new $25,000/pair The Music loudspeakers.That rotating section of the cabinet contains Vienna Acoustics' revolutionary (hah!) new, flat, concentric 7" tweeter-midrange unit, which handles frequencies from 200Hz to 20kHz. A separate super-tweeter takes over above the audioband.
A closer look at Vienna Acoustics' coaxial tweeter-midrange unit. The central dome is supported by the magnet pole-piece of the flat midrange driver—and the strengthening ribs are said to dissipate standing waves on the surface of the driver.
"Wes," Perry Pecker exclaimed as we passed each other in the 10th-floor corridor. "We have something you might enjoy."
Such as?
"I make drivers for OEM, but I have put together some DIY kits for audiophiles who are up for a little fun."
Pecker is president of marketing and sales at HempAcoustics, which makes drivers from hemp, a wonderfully stiff natural material. Pecker's Timefield kits are affordable and impressive. The $300USD TF4.5 employs a single 4.5" driver in a CNC-cut cabinet (you assemble and finish it yourself It claims 95.5dB sensitivity and 55Hz–20kHz…
Mutine's Pascal Ravach was demonstrating the small, but striking, Duevel Planets omnidirectional speakers (CDN$1495/pair), The Planets consist of a floorstanding vented cabinet with an upward-firing 5" woofer and 1" horn-loaded tweeter. The drivers fire against reflective spheres, which disperse the sound.
The Planets sounded remarkably robust for a 5" two-way, so I asked Canadian distributor Ravach about them. "You know," he said, "I don't really believe in people reading about loudspeakers. No offense, but people should listen to loudspeakers and decide for themselves whether or…
I've worked at Stereophile for eight years, and, in a time when people change jobs as often as they change cars or television sets, eight years is a pretty good stretch. In that time, I've taken part in some exciting and memorable things, from Home Entertainment Shows and Consumer Electronics Shows to the live recording of Attention Screen at Merkin Hall. But Stereophile is fifteen years older than me, and I missed so much.
Every now and then, John Atkinson and Robert Baird will talk of the days in Santa Fe—riotous days of leather panties and long parties, days that JA…
Shine A Light. Scorsese meets the Stones.
First off let's get one thing straight: it ain't no Last Waltz!
The other night I saw, courtesy of Paramount Pictures, the new Stones–Scorsese picture, Shine a Light at the IMAX Theatre near Lincoln Center here in New York. As anyone who's seen it knows, the "IMAX Experience" is something akin to going over Niagara Falls in a barrel; something that closet Nazi Walt Disney left behind to torture anyone fool enough to slip into its clutches. With a sound system that is the very embodiment of those famous '70s vintage Pioneer ads— you HAVE to…
I caught Lee Konitz Thursday night at the Jazz Standard, the early set, playing with three fine musicians—Danilo Perez on piano, Rufus Reid on bass, Matt Wilson on drums—but they never settled into a cohesive quartet. Konitz has long been one of my favorite alto saxophone players. Last summer, after a concert at Zankel Hall, celebrating his 80th birthday, I wrote of his “signature airy tone, with its syncopated cadences and wry, insouciant swing,” and marveled at his sinuous way with a melodic line, “darting and weaving, choppy then breezy, sifting changes, shifting rhythms, and all so very…
KEF showed their $140,000/pair Muon "concept" loudspeaker in a suite at the Hilton at the 2008 CES, but my assignment for the show report blog was electronics, so I so I passed on visiting the KEF suite. Big mistake! As the show went on, I heard several of my Stereophile colleagues raving about the KEF Muon, but by that time it would have been too inconvenient to go back the Hilton. But when I heard that KEF would be demonstrating the Muon at FSI, I was sure to check them out.
With a cabinet made of polished aluminum, the Muon is a tour-de-force of loudspeaker engineering. (If Sony…
One of the things I look forward to at these shows is a visit to the Wilson Audio room, and the chance to listen to master recordings made by Peter McGrath. The system at this year's FSI, in the room sponsored by dealer Coup de Foudre, featured the WATT Puppy 8s and Watchdog subs, VTL TL-6.5 preamp and MB-450 amps, with Nordost interconnects and Transparent speaker cables. (I guess they didn't want to be accused of favoritism when it came to cable choice.) As usual, the sound was clean and dynamic, with a deep soundstage, and voices sounding very natural. Peter played a recording he…