The Aurum Cantus V2M's voltage sensitivity came in at an estimated 84dB(B)/2.83V/m, significantly lower than both average and specified. Alleviating the speaker's needs for volts, however, is the fact that its impedance magnitude remains above 8 ohms at almost all frequencies, and that the electrical phase angle is generally low (fig.1). Though the impedance traces are free from the discontinuities that would suggest the presence of cabinet resonances, investigating the panels' vibrational behavior with a plastic-tape accelerometer did uncover some modes (fig.2).…
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Wynton Marsalis, trumpet; Alvin Batiste, Dr. Michael White, clarinet; Wes Anderson, Harvey Estrin, alto sax; Todd Williams, tenor & soprano sax, clarinet; Joe Temperley, baritone sax; Herb Harris, tenor sax; Wycliffe Gordon, trombone; Marcus Roberts, piano; Warren Bernhardt, Lucky Peterson, organ; Reginald Veal, bass; Herlin Riley, drums; Johnny Adams, Shirley Horn, vocals
Columbia CK 47044 (CD only). Tim Geelan, eng.; Steve Epstein, Delfeayo Marsalis, prods. DDD. TT: 63:37
The Rethinking of Wynton Marsalis: Part XVIII Designer…
Empirical evidence has been piling up in my little corner for a year…
Description: Remote-controlled, fully balanced, dual-mono, solid-state preamplifier. Inputs: 4 unbalanced (RCA), 2 balanced (XLR, pin 2 hot). Outputs: 1 pair balanced XLR (main), 2 pairs unbalanced RCA (main), 2 pairs unbalanced tape (RCAs), 12V trigger on 1/8" minijack, RS-232 on female DB-9 connector. Frequency response: 5Hz–100kHz, +0/0.1dB. Maximum gain: 9dB. Maximum output: 12V balanced, 6V unbalanced. Input sensitivity: 200mV–4.0V. THD: 0.002%, 20Hz–20kHz. IMD: "unmeasurable." Signal/noise: 115dB, 20Hz–20kHz. Channel separation: 115dB at 1kHz. Input…
Digital Sources: Ayre C-5xe universal player; Meridian 808.2 CD player; Mark Levinson No.30.6, Benchmark DAC 1 D/A converters; Logitech (Slim Devices) Transporter network music player with Apple Mac mini running OSX for media storage.
Preamplifiers: Mark Levinson No.380S, Parasound Halo JC 2.
Power Amplifiers: Musical Fidelity 750k Supercharger, Mark Levinson No.33H (both monoblocks); Simaudio Moon Evolution W-7.
Loudspeakers: Revel Ultima Salon2, PSB Synchrony One, Dynaudio Sapphire.
Cables: Digital: Kimber Illuminations Orchid AES/EBU,…
Operated with either balanced input and output or unbalanced input and output, the Simaudio Moon Evolution P-7 offered a maximum gain of 5.5dB rather than the specified 9dB. This is sensible design I feel, and in this respect the P-7 behaved identically to the twin-chassis Moon Evolution P-8, which Kalman Rubinson reviewed in November 2006 (see its measured performance here). The volume-control setting that gave unity gain was "74.5," as expected (ie, 5.5dB lower than the gain at the control's maximum setting of "80"). The preamplifier preserved absolute polarity—…
The key to producing the SPM 650's output power—130Wpc into 8 ohms, 170Wpc into 4 ohms, and 200Wpc into 2 ohms—is Chord's replacement of the usual heavy, bulky power transformers and energy-storing capacitor banks with a compact, lightweight, high-…