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During the year or so it took Shure to bring the SE530 to market, it went through some changes, including its model designation. Shure added modular cables (different lengths are available), as well as a standard in-line volume attenuator and a Push To Hear (PTH) module ($50) that "allows you to…
Description: Triple TruAcoustic in-ear earphones with tuned ports. Frequency range: 18Hz–19kHz. Sensitivity: 119dB/W/m at 1kHz. Impedance: 36 ohms at 1kHz. Input connector: 1/8" (3.5mm) gold-plated stereo plug.
Dimensions: Cord: 18" with extension. Weight: 1.1oz (31gm).
Finish: Black chrome.
Serial Number Of Unit Reviewed: none found.
Price: $449. Approximate number of dealers: sold direct. Warranty: 2 years, limited.
Manufacturer: Shure Inc., 5800 West Touhy Avenue, Niles, IL 60714-4608. Tel: (847) 600-2000, (800) 257-4873. Fax: (847) 600-1212.…
Digital Sources: Apple iPod Video (60GB), iPod Nano G1, iPod Shuffle G1 & G2.
Headphone Amplifiers: HeadRoom Desktop D/A, Ray Samuels Emmeline The Hornet & Emmeline Tomahawk.
Headphones: Etymotic ER-4S, Ultimate Ears UE-10 Pro.—Wes Phillips
As I've written before, I have no means of assessing the frequency response of headphones—Keith Howard wrote an excellent article on this subject in the October 2007 issue of the British magazine Hi-Fi News—but I did measure the electrical impedance of the Shure SE530s with the headphones inserted in my ears. The measurements will thus include the acoustic loading of my ear canals, which I assume is not too different from the typical Stereophile reader's (though yes, the diameter of my "jumbo" ear canals is larger than average). The result is shown in fig.1. The…
Description: Two-way, sealed-box, stand-mounted, dynamic loudspeaker. Driver complement: one 8" polypropylene-cone woofer, one 1" treated textile-dome tweeter. Crossover frequency: 2.7kHz, third-order slopes. Frequency response (measured in an anechoic chamber and corrected for half-space): 70–20kHz ±2dB. Sensitivity: 90dB 1W/1m (anechoic). Recommended amplifier power: 10–100W. Nominal impedance: 6 ohms.
Dimensions: 11" W by 18" H by 9" D. Shipping weight: 52 lbs/pair.
Finishes available: matched grain, hand-sanded and -oiled pairs in oak or walnut veneers…
The Snell Type K/IIs replaced the Hales System Two Signatures in my reference system, and were auditioned on the excellent Celestion 24" spiked and lead-shot–filled stands. Each pair was driven by the VTL 225W Deluxe monoblocks, Krell KSA-250, and Threshold S/550e (the last two reviewed elsewhere in this issue) via 10" runs of AudioQuest Green Hyperlitz. The analog front end consisted of a Well-Tempered turntable, just refitted with a Lary Pederson–modified Well-Tempered Arm, and a Sumiko Boron cartridge. The moving-coil's low output was stepped up with the…
Driving the loudspeaker with a variable-frequency sinewave oscillator revealed a lively cabinet, the enclosure vibrating significantly. Many resonances were detected, the most severe of them at 100Hz and 270Hz, which produced audible cabinet contributions to the tone. Rapping the enclosure with my knuckles produced a fairly lively tone.
Looking at fig.1, the Type K/II's impedance magnitude (solid line) and phase angle (dotted line), the sealed-box tuning is evident from the single impedance peak which reaches 24.3 ohms at 63Hz. The impedance never drops…
It was a frantic fax from Houston.
Sorry to say, I'm unable to answer most letters or faxes because I don't have the time. But this one intrigued me.
"My current speakers," the fax continued, "appear to be too large for the bedroom. Any ideas on what to audition?"
I shot back—
"This is great news, Houston! With a smaller room, you can go for quality instead of quantity. Think small!!! Smaller speakers, smaller amplifier. Aside from the bass, you may get better…