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Description: Two-way, stand-mounted, reflex-loaded loudspeaker. Drive-units: 1" (25mm) gold-anodized, Ceramic-Coated Aluminum Magnesium (C-CAM) alloy dome tweeter; 6.5" (165mm) RST2 metal-cone woofer. Crossover frequency: 2.7kHz. Frequency response: 40Hz–43kHz, ±3dB. Nominal impedance: 8 ohms. Sensitivity: 88dB/2.83V/m. Recommended amplification: 40–100W.
Dimensions: 14 3/16" (360mm) H by 8 1/8" (206mm) W by 10 5/8" (270mm) D. Weight: 18.7 lbs (8.5kg) each.
Finishes: Santos rosewood, walnut, cherry veneers; piano-black lacquer.
Serial Number Of Units…
Digital Sources: Ayre C-5xe universal player; Mark Levinson No.30.6, Benchmark DAC 1usb, Bel Canto DAC 3, Musical Fidelity X-DACV8 D/A processors; Slim Devices Transporter WiFi music player with Apple Mac mini running OSX for media storage.
Preamplifiers: Parasound Halo JC2, Ayre K-5xe.
Power Amplifiers: Mark Levinson No.33H, Parasound Halo JC1 monoblocks.
Loudspeakers: Sonus Faber Cremona Elipsa, AAD Reference Silver-1.
Cables: Digital: Kimber Illuminations Orchid AES/EBU, AudioQuest OptiLink-5 S/PDIF. Interconnect (balanced): AudioQuest…
The GS10's voltage sensitivity on its tweeter axis was to specification, at an estimated 88dB(B)/2.83V/m. The speaker's impedance remained above 6 ohms over most of the audioband, dropping to a minimum magnitude of 4 ohms at 190Hz (fig.1). The electrical phase angle varies considerably, but as always the most extreme angles occur when the magnitude is high, diminishing the difficulty of the loading. The shape of the magnitude trace suggests that the speaker will sound a bit forward, perhaps even bright, when used with tube amplifiers having a high source impedance…
I may not know all of their names, but we sweep the sidewalk, put out the trash, and jockey for alternate-side-of-the-street parking together, so we do tend to know each other—and each other's business—pretty intimately. That explains why my neighbor…
Ray Brinker's trapset and the sound of bassists Trey Henry and Kevin Axt weren't quite as slammin' as I would have wished, however. There was quite a bit of bass—certainly enough to let me hear the unstopped 41Hz E, but not as forcefully as notes about an…
Description: Two-way, reflex-loaded, stand-mounted loudspeaker. Drive-units: 1" titanium-dome tweeter, 5.5" copolymer-cone bass/midrange driver with diecast chassis. Frequency responses: 70Hz–20kHz, ±2dB (on axis), 70Hz–16kHz, ±2dB (off axis). Impedance: "compatible with 8 ohms." Sensitivity: 89dB in room, 87dB anechoic. Recommended amplification: 15–80W.
Dimensions: 11" (277mm) H by 6.5" (165mm) W by 10.1" (256mm) D. Weight: 11.5 lbs (5.2kg).
Finishes: Rosenut, Black Ash, Cherry.
Serial Numbers Of Units Reviewed: 381893, 381894.
Price: $250/pair (…
Digital Sources: Muse Polyhymnia, Oppo Digital DV-970HD universal players; Slim Devices Transporter digital network player.
Preamplifier: Krell Evolution 202.
Power Amplifiers: Channel Island Audio D-100, Portal Paladin (both monoblocks).
Loudspeakers: Dynaudio Special Twenty-Five, PSB Alpha B1.
Cables: Interconnect: Kimber KCAG, Shunyata Research Aries & Antares. Speaker: Shunyata Research Lyra.
Accessories: Furutech eTP-609 distribution box, FP-20A(R) duplex outlets; RealTrap Mini & Mondo Traps; Ayre Myrtle Wood Blocks.—Wes…
The little Atom is surprisingly sensitive, at an estimated 90dB(B)/2.83V/m, though this will in part be due to its rather tilted-up treble balance (see later). Though its impedance drops to 3.9 ohms at 197Hz and there is also a combination of 5.5 ohms and –42.5° capacitive phase angle at 148Hz, the Atom's impedance plot (fig.1) suggests that this speaker won't be that difficult to drive. Note, however, the disparity between the impedance in the lower midrange and that in the treble. Tube amplifiers with a highish output impedance will sound tilted-up with the Atom…
Editor: We'd like to thank Wes Phillips and Stereophile for the extensive and thoroughly enjoyable review of our latest incarnation of the Paradigm Atom, the Atom Monitor v.5. Reading Wes's comments as he auditioned the Atom serves as a great reminder of why we're all in this business. The joy that comes from listening to a great performance reproduced in our homes by a high-fidelity system was clearly evident in Wes's enthusiasm during the product review.
But it was his comment that the sound of the Atom "was what the High End is all about" that really…