The Revox A-77 has extremely good speed regulation, vanishingly low wow and flutter, very low noise, superb tape handling, and the smoothest, widest-range frequency response of any recorder we have ever tested.

The portable version, with built-in monitor amps and speakers, is very compact for a machine with 10½ reel capacity, and is easily carried by one person. Now that the later version is equipped with a flutter-filtering tension arm, our only criticism of the A-77 is its use of three-circuit jacks for the micro phone inputs instead of the XLR-type receptacles that are considered to be "standard" in the US for on-location audio recording.

I saved the Overture room for last because for me and my taste, this room had the best sound at CAF 2019.

Look at the photo. What you see is a re-imagining of the original Quad ESL 57s by Dave Slagle of EMIA (Experience Music Intact Audio). The only thing that remains from the original Quads are the PVC stator parts rebuilt to original standards by Wayne Picquet of Quads Unlimited in Longwood, Florida.

As a reviewer, I’ve been waiting to see a ModWright product that just jumped out of the deck and said, “Herb! Review me.”

American Sound distribution presented three rooms featuring Avantgarde horn loudspeakers, and, in the two rooms I visited, Wadax digital products.

I like speakers with dark wood finishes. My friend Sphere loves speakers painted red. My partner “bb” prefers blue ones that match her room. Tekton Design makes speakers in these and many other colors and finishes. Tekton speakers, though, also have many tweeters, which gives them a distinctive look.

It pleases me beyond words when modestly priced audio components overperform immodestly.

On the last day of the show, loudspeaker designer Jeff Joseph showed no signs of slowing down. Remote in hand, he bounced around his room like the proverbial battery bunny, welcoming attendees, switching his rig between analog and digital playback, and generally smiling his way through it all.