Chances are you've never seen an amplifier quite like the Mark Levinson No.33H. That's because there's only one other amp that's anything like it: the Mark Levinson No.33, upon which it's based. Both amps are more tall than broad, looking almost as though they're resting on their ends; heatsinks cluster around their side-panels. In the city of the High End, the No.33 and No.33H are skyscrapers standing tall above the warehouses.

Chances are you've never seen an amplifier quite like the Mark Levinson No.33H. That's because there's only one other amp that's anything like it: the Mark Levinson No.33, upon which it's based. Both amps are more tall than broad, looking almost as though they're resting on their ends; heatsinks cluster around their side-panels. In the city of the High End, the No.33 and No.33H are skyscrapers standing tall above the warehouses.

Chances are you've never seen an amplifier quite like the Mark Levinson No.33H. That's because there's only one other amp that's anything like it: the Mark Levinson No.33, upon which it's based. Both amps are more tall than broad, looking almost as though they're resting on their ends; heatsinks cluster around their side-panels. In the city of the High End, the No.33 and No.33H are skyscrapers standing tall above the warehouses.

Chances are you've never seen an amplifier quite like the Mark Levinson No.33H. That's because there's only one other amp that's anything like it: the Mark Levinson No.33, upon which it's based. Both amps are more tall than broad, looking almost as though they're resting on their ends; heatsinks cluster around their side-panels. In the city of the High End, the No.33 and No.33H are skyscrapers standing tall above the warehouses.

Chances are you've never seen an amplifier quite like the Mark Levinson No.33H. That's because there's only one other amp that's anything like it: the Mark Levinson No.33, upon which it's based. Both amps are more tall than broad, looking almost as though they're resting on their ends; heatsinks cluster around their side-panels. In the city of the High End, the No.33 and No.33H are skyscrapers standing tall above the warehouses.

Silicon Valley, Jan. 28---John Sunier, host of the nationally syndicated radio program <A HREF="http://www.btown.com/audio.html"><I>Audiophile Audition</I></A>, and I were here last night at Cogswell College for an Audio Engineering Society-hosted lecture and demonstration by <A HREF="http://www.medianix.com">MedianiX</A&gt;. The Mountain View-based semiconductor company has pioneered a "virtual multi-axis" ("VMAx") surround-sound technology using only one pair of closely spaced loudspeakers.

Attention all you amateur speaker designers furiously creating the world's next revolutionary crossover or cabinet design in your garage: <A HREF="http://www.iserv.net/~meniscus">Meniscus Audio</A>, a manufacturer of loudspeakers that sells directly to consumers through mail-order marketing programs, has announced a loudspeaker design contest that offers the winner the opportunity to have his or her design developed for distribution as a kit. First- and second-place prizes will also be awarded.

B<i>illboard Magazine</i> announced an agreement this week with Liquid Audio, a developer of secure music-delivery systems on the Internet, to make <i>Billboard</i>'s extensive database of album reviews and audio previews available through <A HREF=" http://www.billboard.com/">Billboard Online</A>. The audio portion will be provided in <A HREF=" http://www.liquidaudio.com/">Liquid Audio</A> format by the Music Previews Network, the company that provides Music Previews for Billboard Online.

In a covert sting operation launched by <I>Stereofool</I>'s competitor, <I>Big iF</I> magazine, 24-bit/96kHz tapes have just surfaced revealing a conversation <I>Stereofool</I> editor Acker Johnson (AJ) had with a local dealer in used audio equipment.