Kinergetics Research was a name to be reckoned with in the early days of CD, when they produced some of the earliest well-received, audiophile-grade CD players. They've branched out since then, producing amplifiers, preamps, subwoofers, and surround-sound processors. In fact, they're so busy with such products that they no longer build CD players! The last <I>Stereophile</I> review of a Kinergetics CD player appeared way back in 1993.

Kinergetics Research was a name to be reckoned with in the early days of CD, when they produced some of the earliest well-received, audiophile-grade CD players. They've branched out since then, producing amplifiers, preamps, subwoofers, and surround-sound processors. In fact, they're so busy with such products that they no longer build CD players! The last <I>Stereophile</I> review of a Kinergetics CD player appeared way back in 1993.

Kinergetics Research was a name to be reckoned with in the early days of CD, when they produced some of the earliest well-received, audiophile-grade CD players. They've branched out since then, producing amplifiers, preamps, subwoofers, and surround-sound processors. In fact, they're so busy with such products that they no longer build CD players! The last <I>Stereophile</I> review of a Kinergetics CD player appeared way back in 1993.

The ProAc Response One S was one of the very first products I reviewed for <I>Stereophile</I> back in 1994 (Vol.17 No.9). That review was such an over-the-top rave that John Atkinson felt obliged to audition the speakers himself before running my report. I assume he liked 'em too&mdash;after all, my review did see the light of day.

The ProAc Response One S was one of the very first products I reviewed for <I>Stereophile</I> back in 1994 (Vol.17 No.9). That review was such an over-the-top rave that John Atkinson felt obliged to audition the speakers himself before running my report. I assume he liked 'em too&mdash;after all, my review did see the light of day.

The ProAc Response One S was one of the very first products I reviewed for <I>Stereophile</I> back in 1994 (Vol.17 No.9). That review was such an over-the-top rave that John Atkinson felt obliged to audition the speakers himself before running my report. I assume he liked 'em too&mdash;after all, my review did see the light of day.

The ProAc Response One S was one of the very first products I reviewed for <I>Stereophile</I> back in 1994 (Vol.17 No.9). That review was such an over-the-top rave that John Atkinson felt obliged to audition the speakers himself before running my report. I assume he liked 'em too&mdash;after all, my review did see the light of day.

The ProAc Response One S was one of the very first products I reviewed for <I>Stereophile</I> back in 1994 (Vol.17 No.9). That review was such an over-the-top rave that John Atkinson felt obliged to audition the speakers himself before running my report. I assume he liked 'em too&mdash;after all, my review did see the light of day.

The ProAc Response One S was one of the very first products I reviewed for <I>Stereophile</I> back in 1994 (Vol.17 No.9). That review was such an over-the-top rave that John Atkinson felt obliged to audition the speakers himself before running my report. I assume he liked 'em too&mdash;after all, my review did see the light of day.

<B>ARTURO DELMONI & NATHANIEL ROSEN: <I>Music for a Glass Bead Game</I></B><BR> <B>J.S. Bach</B>: Two-Part Inventions 1, 3, 6, 7, 9, 10, 13. <B>Kod&#225;ly</B>: Duo for Violin & Cello. <B>Giordani</B>: Duetto II. <B>Martinu</B>: Duo for Violin & Cello. <B>Handel</B>: <I>Passacaglia</I><BR> Arturo Delmoni, violin; Nathaniel Rosen, cello<BR> John Marks Records JMR 15 (CD). John Marks, prod.; Jerry Bruck, eng. DDD. TT: 62:34