Media conglomerate <A HREF="http://www.viacom.com">Viacom</A&gt;, parent company of <A HREF="http://blockbuster.com"&gt; Blockbuster Music</A>, has reportedly put the ailing chain on the auction block. Most likely buyer is Torrance, California-based music retailer <A HREF="http://wherehouse.com">Wherehouse Entertainment, Inc.</A>, which has 220 stores of its own, primarily on the West Coast. On Wednesday, May 13, Reuters news service reported that Wherehouse had tendered an offer of $200 million for Blockbuster. Wherehouse has been in intermittent discussions for several months with Viacom.

Hundreds of manufacturers will be demonstrating state-of-the-art audio products at <A HREF="http://www.hifishow.com">HI-FI '98</A>---some of which have never before been seen by the public.

On May 18, 1998, James D. Dunning, Jr., Chairman and CEO of the Petersen Companies, Inc., announced an agreement to acquire Stereophile Magazine and Stereophile Guide to Home Theater---two of this country's leading high-end audio and home-theater publications---as well as HI-FI '98, The Home Theater & Specialty Audio Show.

Returned products are problematic for consumers, retailers, and manufacturers. Returns have always eaten into profits in the audio and video business. Everybody knows that. What isn't widely known is that the <A HREF="http://www.cemacity.org">Consumer Electronics Manufacturers Association</A> sponsors an annual conference to help deal with the problem.

I've never heard a pair of the Italian Sonus Faber speakers I didn't like. What I've never liked was the US price: too high. And then you have to put them on costly stands. Plus, you're paying a premium for the magnificent woodworking and exquisite design&mdash;something I wasn't into, since I live with my stereo in a basement office/workshop/listening room some (who shall remain nameless) refer to as the "habitat for inhumanity."

I've never heard a pair of the Italian Sonus Faber speakers I didn't like. What I've never liked was the US price: too high. And then you have to put them on costly stands. Plus, you're paying a premium for the magnificent woodworking and exquisite design&mdash;something I wasn't into, since I live with my stereo in a basement office/workshop/listening room some (who shall remain nameless) refer to as the "habitat for inhumanity."

I've never heard a pair of the Italian Sonus Faber speakers I didn't like. What I've never liked was the US price: too high. And then you have to put them on costly stands. Plus, you're paying a premium for the magnificent woodworking and exquisite design&mdash;something I wasn't into, since I live with my stereo in a basement office/workshop/listening room some (who shall remain nameless) refer to as the "habitat for inhumanity."

I've never heard a pair of the Italian Sonus Faber speakers I didn't like. What I've never liked was the US price: too high. And then you have to put them on costly stands. Plus, you're paying a premium for the magnificent woodworking and exquisite design&mdash;something I wasn't into, since I live with my stereo in a basement office/workshop/listening room some (who shall remain nameless) refer to as the "habitat for inhumanity."

I've never heard a pair of the Italian Sonus Faber speakers I didn't like. What I've never liked was the US price: too high. And then you have to put them on costly stands. Plus, you're paying a premium for the magnificent woodworking and exquisite design&mdash;something I wasn't into, since I live with my stereo in a basement office/workshop/listening room some (who shall remain nameless) refer to as the "habitat for inhumanity."

I've never heard a pair of the Italian Sonus Faber speakers I didn't like. What I've never liked was the US price: too high. And then you have to put them on costly stands. Plus, you're paying a premium for the magnificent woodworking and exquisite design&mdash;something I wasn't into, since I live with my stereo in a basement office/workshop/listening room some (who shall remain nameless) refer to as the "habitat for inhumanity."