HDCD and <A HREF="http://www.hdcd.com">Pacific Microsonics</A> appear to be on a roll these days. The HDCD process, developed to coerce 20-bit performance out of the 16-bit CD format, is gaining several new licensees and is also appearing in more devices, as evidenced by several recent announcements. The company is also looking ahead to future DVD formats with an agreement intended to couple HDCD benefits with higher sampling rates.

Saturday, September 26, thousands of enthusiastic audio-savvy attendees began swarming through the massive cavern of the Moscone Center's North Hall in San Francisco. They will continue to swarm until late Tuesday, September 29, the last day of the 105th <A HREF="http://www.aes.org/">Audio Engineering Society</A> Convention. The convention has attracted hundreds of companies whose products are extravagantly displayed in the huge space beneath the Yerba Buena Gardens. Demonstrations of new products and technologies also take place in smaller rooms off the main floor. Research papers are being presented in meetings throughout the four-day event.

James Bongiorno needs your help. The legendary electronics designer, whose pioneering work with fully complementary solid-state amplifiers has become part of engineering's standard lexicon, is battling liver cancer.

It's cheating to say that the best sound I've heard at the English Show was at Martin Colloms' house on Saturday night---cheating the same way it is when someone asks that question and I (or some other reviewer) piously responds that some live music event ranks above any exhibitor. Martin, of course, has an advantage over anyone at the Show. He set up his own listening room and had all the time he needed to boot. Even so, his system, consisting of a Krell KRS-25 and FPB 650Ms and Wilson Audio WITT IIs, was astoundingly fast, rhythmic, and dynamic.

Outboarders---it has a certain dark ring to it, conjuring the image of futuristic outlaws from a William Gibson sci-fi novel, or perhaps a renegade hacker cult living off-planet somewhere.

Are there differences between an American hi-fi show and the British variety? A few---the biggest is the extent to which all the <I>real</I> business takes place at the bar. This is true for the audio press (okay, not all that different from an American show), but it's true for manufacturers as well. After Show hours, the boozer is jammed with everybody in the business sharing a few pints, smoking, and talking shop. It's not unusual to see business rivals chatting amiably about the state of the industry---and even discussing distribution in some detail.

Wandering around the halls of the Heathrow Renaissance Hotel, I saw and heard a lot more affordable audio on display than I've seen at most American shows. This makes sense. After all, this <I>is</I> a consumer show (or it will be tomorrow---yesterday and today were trade days), and, while consumers want to fantasize about the state of the art, they also like to see kit they can actually own. Me too.

The HI-FI Show 98, the sixteenth put on by UK audio magazine <A HREF="http://www.linkhouse.co.uk/hifi/"><i>Hi-Fi News & Record Review</i></A>, sedately opened its trade days this morning in the Renaissance and Excelsior hotels on Bath Road near London's Heathrow International Airport. No, that's not a change in venue, it's yet another name change for the hotel that first hosted the "Penta Show" and, more recently, the "Ramada Show." However, this year's show will be the last at the site, as the new owners do not seem interested in hosting large-scale events at all. Next year the show will be moving---to a destination that nobody's revealing in advance of Friday's official announcement.

It was one of those uncommonly warm late winter Sundays when you hardly need a coat. The fine weather had set aside any critical listening sessions, the door to the kitchen was open, and I was playing my audio system&mdash;then equipped with a pair of Spendor BC-1 loudspeakers&mdash;at moderate levels. Playing on the Linn turntable was an LP that the kids loved&mdash;"The Magic Garden Song," sung by the two female leads from the children's television show of the same name (footnote 1), My wife doesn't often comment positively on audio equipment, but that day she walked in from the kitchen to say, "Those voices sound real&mdash;as if two people just walked in our living room and started singing."