The first time I encountered Dunlavy's Signature Collection loudspeakers was at the 1993 Chicago Summer CES. I was familiar with, and had a lot of respect for, the speakers John Dunlavy had designed for the Australian Duntech brand, but I thought this new line clearly transcended his previous efforts—and at significantly lower prices. The model that I ended up reviewing—and, after the review (Vol.17 No.4), buying—was the SC-IV, subsequently honored as Stereophile's 1994 Loudspeaker of the Year and Product of the Year. In 1995, the SC-IV underwent changes, including a new woofer and a modified tweeter, resulting in some sonic improvements (see my Follow-Up review in Vol.18 No.3).

The first time I encountered Dunlavy's Signature Collection loudspeakers was at the 1993 Chicago Summer CES. I was familiar with, and had a lot of respect for, the speakers John Dunlavy had designed for the Australian Duntech brand, but I thought this new line clearly transcended his previous efforts—and at significantly lower prices. The model that I ended up reviewing—and, after the review (Vol.17 No.4), buying—was the SC-IV, subsequently honored as Stereophile's 1994 Loudspeaker of the Year and Product of the Year. In 1995, the SC-IV underwent changes, including a new woofer and a modified tweeter, resulting in some sonic improvements (see my Follow-Up review in Vol.18 No.3).

The first time I encountered Dunlavy's Signature Collection loudspeakers was at the 1993 Chicago Summer CES. I was familiar with, and had a lot of respect for, the speakers John Dunlavy had designed for the Australian Duntech brand, but I thought this new line clearly transcended his previous efforts—and at significantly lower prices. The model that I ended up reviewing—and, after the review (Vol.17 No.4), buying—was the SC-IV, subsequently honored as Stereophile's 1994 Loudspeaker of the Year and Product of the Year. In 1995, the SC-IV underwent changes, including a new woofer and a modified tweeter, resulting in some sonic improvements (see my Follow-Up review in Vol.18 No.3).

The first time I encountered Dunlavy's Signature Collection loudspeakers was at the 1993 Chicago Summer CES. I was familiar with, and had a lot of respect for, the speakers John Dunlavy had designed for the Australian Duntech brand, but I thought this new line clearly transcended his previous efforts—and at significantly lower prices. The model that I ended up reviewing—and, after the review (Vol.17 No.4), buying—was the SC-IV, subsequently honored as Stereophile's 1994 Loudspeaker of the Year and Product of the Year. In 1995, the SC-IV underwent changes, including a new woofer and a modified tweeter, resulting in some sonic improvements (see my Follow-Up review in Vol.18 No.3).

Over three quarters of a million readers served! With several million "page views" and dozens of millions of "hits" in the past 365 days, the <I>Stereophile</I> website has continued to grow steadily, with a record number of folks visiting practically every week. We've also dished out over <A HREF="http://www.stereophile.com/showoldnews.cgi">300 news articles</A>---practically an article each day---covering everything audio, from important new-technology announcements to the demise and then rebirth of several legendary brands.

Among loudspeaker designers, Franco Serblin enjoys an enviable reputation for beautiful creations and meticulous craftsmanship. Until recently, Sonus Faber's resident genius had confined himself to minimonitors with simple crossover networks, such as the Concerto, a <I>Stereophile</I> Class B Recommended Component.

Back in January of this year, we <A HREF="http://www.stereophile.com/news/10073/">reported</A&gt; that loudspeaker manufacturer <A HREF="http://www.polkaudio.com">Polk Audio</A> had purchased an interest in <A HREF="http://www.gen-tech.com">Genesis Technologies</A>, a loudspeaker and digital electronics manufacturer, with an option to buy the company in three years. Last week, however, Polk announced that it has decided to pass the company on to new investors.

Four years after its first unsuccessful foray into the American consumer marketplace, <A HREF="http://www.sel.cony.com/">Sony</A>'s MiniDisc appears finally to be winning serious numbers of converts. Several large-scale retailers, including Best Buy, Circuit City, Service Merchandise, and (soon) Sears department stores, have dedicated MiniDisc displays, with home recorders, portable players, and blank discs available individually or as a package deal. The displays were built with Sony's support, according to Mike Viken, senior VP for Sony's personal audio/video marketing division.

I've touched on loudspeaker placement in irregularly shaped rooms several times in the last few "Fine Tunes," but reader Peter Machare (Peter.MACHARE@usda.gov) wants more information about setting up L-shaped and other nonstandard listening areas. Here's how he describes his layout: "I have an L-shaped room. The speakers are at the bottom of the L and point up the long part of the L. Not all of us are perfect rectangles, you know."