If you search for "DVD-A" on this <A HREF="http://www.stereophile.com">website</A&gt;, you can get the whole confusing story of the format, which has been the subject of one of the strangest format launches of recent years: First it's on, then it's off. The watermark is audible. No, it's not. Oops, it <I>is</I>&mdash;back to square one. There's software, there's no software. (There's <I>not</I>&mdash;only one demo disc officially available in September 2000, when I wrote this review!)

If you search for "DVD-A" on this <A HREF="http://www.stereophile.com">website</A&gt;, you can get the whole confusing story of the format, which has been the subject of one of the strangest format launches of recent years: First it's on, then it's off. The watermark is audible. No, it's not. Oops, it <I>is</I>&mdash;back to square one. There's software, there's no software. (There's <I>not</I>&mdash;only one demo disc officially available in September 2000, when I wrote this review!)

If you search for "DVD-A" on this <A HREF="http://www.stereophile.com">website</A&gt;, you can get the whole confusing story of the format, which has been the subject of one of the strangest format launches of recent years: First it's on, then it's off. The watermark is audible. No, it's not. Oops, it <I>is</I>&mdash;back to square one. There's software, there's no software. (There's <I>not</I>&mdash;only one demo disc officially available in September 2000, when I wrote this review!)

If you search for "DVD-A" on this <A HREF="http://www.stereophile.com">website</A&gt;, you can get the whole confusing story of the format, which has been the subject of one of the strangest format launches of recent years: First it's on, then it's off. The watermark is audible. No, it's not. Oops, it <I>is</I>&mdash;back to square one. There's software, there's no software. (There's <I>not</I>&mdash;only one demo disc officially available in September 2000, when I wrote this review!)

If you search for "DVD-A" on this <A HREF="http://www.stereophile.com">website</A&gt;, you can get the whole confusing story of the format, which has been the subject of one of the strangest format launches of recent years: First it's on, then it's off. The watermark is audible. No, it's not. Oops, it <I>is</I>&mdash;back to square one. There's software, there's no software. (There's <I>not</I>&mdash;only one demo disc officially available in September 2000, when I wrote this review!)

If you search for "DVD-A" on this <A HREF="http://www.stereophile.com">website</A&gt;, you can get the whole confusing story of the format, which has been the subject of one of the strangest format launches of recent years: First it's on, then it's off. The watermark is audible. No, it's not. Oops, it <I>is</I>&mdash;back to square one. There's software, there's no software. (There's <I>not</I>&mdash;only one demo disc officially available in September 2000, when I wrote this review!)

If you search for "DVD-A" on this <A HREF="http://www.stereophile.com">website</A&gt;, you can get the whole confusing story of the format, which has been the subject of one of the strangest format launches of recent years: First it's on, then it's off. The watermark is audible. No, it's not. Oops, it <I>is</I>&mdash;back to square one. There's software, there's no software. (There's <I>not</I>&mdash;only one demo disc officially available in September 2000, when I wrote this review!)

If you search for "DVD-A" on this <A HREF="http://www.stereophile.com">website</A&gt;, you can get the whole confusing story of the format, which has been the subject of one of the strangest format launches of recent years: First it's on, then it's off. The watermark is audible. No, it's not. Oops, it <I>is</I>&mdash;back to square one. There's software, there's no software. (There's <I>not</I>&mdash;only one demo disc officially available in September 2000, when I wrote this review!)

Metallica's Lars Ulrich and Creed's Scott Sapp don't get it. But Courtney Love understands, and so does Stereophile's Jon Iverson, who pointed out in the October issue's "As We See It" that the dispute between the RIAA and Napster is more important to audiophiles than it might seem. The Napster-MP3 phenomenon is a crack in the dike that controls music distribution. How the water seeps through that crack now will determine how it will flow when the drip turns into a trickle, the trickle into a stream, the stream into a river. Audiophiles and pop-music fans alike will be in the same boat.