One of the industry's most ambitious digital distribution programs has been announced by <A HREF="http://www.timewarner.com/corp/about/music/wmg/index.html">Warner Music Group</A>. In November, WMG will make more than 1000 albums and singles available as downloads through several online music retailers, using <A HREF="http://www.realnetworks.com/">RealNetworks</A>&#039; RealPlayer software. Music fans in the US and Canada are the target audience for the download program, according to a September 11 press release.

You've probably seen the ad in <I>Stereophile</I>: a very personal account by Avantgarde-USA president Jim Smith, describing how, during a 30-year career in high-end audio, he had become increasingly disappointed with conventional loudspeakers' ability to communicate the emotional impact of live music, and how he found the answer with the Avantgarde horn loudspeakers. It's advertising copy in the best I-liked-it-so-much-I-bought-the-company tradition&mdash;with the exception that Smith did not actually buy Avantgarde Acoustic, but <I>did</I> become their North American distributor.

You've probably seen the ad in <I>Stereophile</I>: a very personal account by Avantgarde-USA president Jim Smith, describing how, during a 30-year career in high-end audio, he had become increasingly disappointed with conventional loudspeakers' ability to communicate the emotional impact of live music, and how he found the answer with the Avantgarde horn loudspeakers. It's advertising copy in the best I-liked-it-so-much-I-bought-the-company tradition&mdash;with the exception that Smith did not actually buy Avantgarde Acoustic, but <I>did</I> become their North American distributor.

You've probably seen the ad in <I>Stereophile</I>: a very personal account by Avantgarde-USA president Jim Smith, describing how, during a 30-year career in high-end audio, he had become increasingly disappointed with conventional loudspeakers' ability to communicate the emotional impact of live music, and how he found the answer with the Avantgarde horn loudspeakers. It's advertising copy in the best I-liked-it-so-much-I-bought-the-company tradition&mdash;with the exception that Smith did not actually buy Avantgarde Acoustic, but <I>did</I> become their North American distributor.

You've probably seen the ad in <I>Stereophile</I>: a very personal account by Avantgarde-USA president Jim Smith, describing how, during a 30-year career in high-end audio, he had become increasingly disappointed with conventional loudspeakers' ability to communicate the emotional impact of live music, and how he found the answer with the Avantgarde horn loudspeakers. It's advertising copy in the best I-liked-it-so-much-I-bought-the-company tradition&mdash;with the exception that Smith did not actually buy Avantgarde Acoustic, but <I>did</I> become their North American distributor.

You've probably seen the ad in <I>Stereophile</I>: a very personal account by Avantgarde-USA president Jim Smith, describing how, during a 30-year career in high-end audio, he had become increasingly disappointed with conventional loudspeakers' ability to communicate the emotional impact of live music, and how he found the answer with the Avantgarde horn loudspeakers. It's advertising copy in the best I-liked-it-so-much-I-bought-the-company tradition&mdash;with the exception that Smith did not actually buy Avantgarde Acoustic, but <I>did</I> become their North American distributor.

You've probably seen the ad in <I>Stereophile</I>: a very personal account by Avantgarde-USA president Jim Smith, describing how, during a 30-year career in high-end audio, he had become increasingly disappointed with conventional loudspeakers' ability to communicate the emotional impact of live music, and how he found the answer with the Avantgarde horn loudspeakers. It's advertising copy in the best I-liked-it-so-much-I-bought-the-company tradition&mdash;with the exception that Smith did not actually buy Avantgarde Acoustic, but <I>did</I> become their North American distributor.

You've probably seen the ad in <I>Stereophile</I>: a very personal account by Avantgarde-USA president Jim Smith, describing how, during a 30-year career in high-end audio, he had become increasingly disappointed with conventional loudspeakers' ability to communicate the emotional impact of live music, and how he found the answer with the Avantgarde horn loudspeakers. It's advertising copy in the best I-liked-it-so-much-I-bought-the-company tradition&mdash;with the exception that Smith did not actually buy Avantgarde Acoustic, but <I>did</I> become their North American distributor.

You've probably seen the ad in <I>Stereophile</I>: a very personal account by Avantgarde-USA president Jim Smith, describing how, during a 30-year career in high-end audio, he had become increasingly disappointed with conventional loudspeakers' ability to communicate the emotional impact of live music, and how he found the answer with the Avantgarde horn loudspeakers. It's advertising copy in the best I-liked-it-so-much-I-bought-the-company tradition&mdash;with the exception that Smith did not actually buy Avantgarde Acoustic, but <I>did</I> become their North American distributor.

You've probably seen the ad in <I>Stereophile</I>: a very personal account by Avantgarde-USA president Jim Smith, describing how, during a 30-year career in high-end audio, he had become increasingly disappointed with conventional loudspeakers' ability to communicate the emotional impact of live music, and how he found the answer with the Avantgarde horn loudspeakers. It's advertising copy in the best I-liked-it-so-much-I-bought-the-company tradition&mdash;with the exception that Smith did not actually buy Avantgarde Acoustic, but <I>did</I> become their North American distributor.