Will Watermarking Really Work?

Will Watermarking Really Work?

Mastering engineer Denny Purcell let out a long sigh. "Does anyone in this room really believe that any of this is going to do any good?" he asked. Of the eight or nine people—each with decades of experience in the music and/or audio industries—hanging out at Georgetown Masters Studios in Nashville for SDMI's Phase II listening tests, no one said "Yes." The consensus: The watermarking issue will probably be dead and forgotten within a year.

BMG Plans to Have It Both Ways

BMG Plans to Have It Both Ways

The most common complaint about record companies: CD prices are too high. In fact, many blame Napster's runaway success on the insistence of "greedy labels" on pricing discs at $15 or higher. Apparently BMG Direct, a division of <A HREF="http://www.bmg.com/">BMG Entertainment</A>, has put two and two together and found it equals $9.99.

Added to the Archives This Week

Added to the Archives This Week

Kalman Rubinson gives a long listen to the 1998 <I>Stereophile</I> Editor's Choice winner, the <A HREF="http://www.stereophile.com//amplificationreviews/278/">Z-Systems rdp-1 digital preamplifier</A>. Like many audiophiles, Kal eschewed tone controls in favor of the purist approach&mdash;until he met the rdp-1. As he puts it: "Now, the time has come for DSP to give the audiophile some powerful tools to tailor frequency response and to correct faults in the recording."

What do you think of watermarking SACD or DVD-Audio discs?

Category

Using a digital code, or "watermark," has been proposed for SACD and DVD-Audio recordings to help control what consumers can and cannot do with the new discs. The downside is that some engineers feel that the watermark, though subtle, might be audible at times. Does this bother you?

New NARM Report Outlines the Future of Digital Distribution

New NARM Report Outlines the Future of Digital Distribution

According to a report just released by the <A HREF="http://www.narm.com">National Association of Recording Merchandisers</A> (NARM), Digital distribution&mdash;particularly streaming technology&mdash;will seriously disrupt the music industry, but has the potential to "benefit all segments of the business if companies can leverage their traditional strengths and create compelling consumer value propositions."

Cirrus Logic Buys Patents from B&W Loudspeakers

Cirrus Logic Buys Patents from B&W Loudspeakers

In an unusual move, chipmaker <A HREF="http://www.cirruslogic.com/">Cirrus Logic</A> has purchased patents for Pulse Width Modulation (PWM) technology owned by <A HREF="http://www2.bwspeakers.com/">B&W Loudspeakers</A>, a leading UK manufacturer. The patents will be used in combination with current Cirrus Logic technology in a new line of digital amplifiers, according to an October 2 news release.

CEA Promoting Audio with Free Gear for Students

CEA Promoting Audio with Free Gear for Students

You want to grow your market, you've got to plant some seeds. The <A HREF="http://www.ce.org/">Consumer Electronics Association</A> (CEA) is doing just that with the <A HREF="http://www.buzznet.org/">BuzzNet 2000</A> tour, a traveling educational event that will hit college campuses beginning this month, as reported <A HREF="http://www.stereophile.com/news/10859/">last week</A>.

Independent Record Label Claims First DVD-Audio Release

Independent Record Label Claims First DVD-Audio Release

Warner Music Group may have just announced its first DVD-Audio titles (see <A HREF="http://www.stereophile.com/news/10861/">related story</A>), but an upstart independent label is claiming the first DVD-A discs actually available for sale. In an attempt to establish itself as the leader in the new DVD-Audio format, 5.1 Entertainment Group's <A HREF="http://www.silverlinerecords.com/">Silverline Records</A> says it has begun shipping the first commercially available 24-bit/96kHz DVD-Audio disc, <I>Swingin' for the Fences</I>, by Gordon Goodwin's Big Phat Band.

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