Melville, NY&ndash;based manufacturer <A HREF="http://www.josephaudio.com"&gt; Joseph Audio</A> announced September 1 that the company was "pleased to accept the 'Best Sound at Show' award as determined by the votes of attendees" at the Home Entertainment 2001 event held in May at the NY Hilton. "We're deeply grateful that so many at the show felt that our RM33si Signature at $7500/pair was worthy of such an honor," said company president <A HREF="mailto:Josephaud@aol.com">Jeff Joseph</A>.

Just as the Asian economic crisis a few years ago dealt a big blow to American high-end audio manufacturers, the slowing American economy is causing repercussions for Japanese companies.

The Super Audio CD has won the endorsement of two more major record labels, according to press releases issued the last week of August. The announcements followed by only a few days one by <A HREF="http://www.stereophile.com/news/11123/">Universal Music Group</A> that it would begin producing the high-resolution recordings for mass distribution.

I'll never forget my first encounter with the Krell LAT-1 loudspeaker. Late one Friday night last fall, on City Island in the Bronx, it was time for the monthly meeting of the Westchester Audiophile Society and I was late. I rushed through the door past a group of audiophiles and headed straight for the two new black loudspeakers already set up and ready to play. Music writer and society member Sid Marks made a sound. I turned to him and he pointed across the room: "Go tap on that enclosure." I walked over to one of the black speakers and did so. There was no sound&mdash;no give, no nothing. It was as if I'd knocked on a granite boulder. "See what I mean?" said Sid. I nodded. There was nothing to add.

I'll never forget my first encounter with the Krell LAT-1 loudspeaker. Late one Friday night last fall, on City Island in the Bronx, it was time for the monthly meeting of the Westchester Audiophile Society and I was late. I rushed through the door past a group of audiophiles and headed straight for the two new black loudspeakers already set up and ready to play. Music writer and society member Sid Marks made a sound. I turned to him and he pointed across the room: "Go tap on that enclosure." I walked over to one of the black speakers and did so. There was no sound&mdash;no give, no nothing. It was as if I'd knocked on a granite boulder. "See what I mean?" said Sid. I nodded. There was nothing to add.

I'll never forget my first encounter with the Krell LAT-1 loudspeaker. Late one Friday night last fall, on City Island in the Bronx, it was time for the monthly meeting of the Westchester Audiophile Society and I was late. I rushed through the door past a group of audiophiles and headed straight for the two new black loudspeakers already set up and ready to play. Music writer and society member Sid Marks made a sound. I turned to him and he pointed across the room: "Go tap on that enclosure." I walked over to one of the black speakers and did so. There was no sound&mdash;no give, no nothing. It was as if I'd knocked on a granite boulder. "See what I mean?" said Sid. I nodded. There was nothing to add.

I'll never forget my first encounter with the Krell LAT-1 loudspeaker. Late one Friday night last fall, on City Island in the Bronx, it was time for the monthly meeting of the Westchester Audiophile Society and I was late. I rushed through the door past a group of audiophiles and headed straight for the two new black loudspeakers already set up and ready to play. Music writer and society member Sid Marks made a sound. I turned to him and he pointed across the room: "Go tap on that enclosure." I walked over to one of the black speakers and did so. There was no sound&mdash;no give, no nothing. It was as if I'd knocked on a granite boulder. "See what I mean?" said Sid. I nodded. There was nothing to add.

I'll never forget my first encounter with the Krell LAT-1 loudspeaker. Late one Friday night last fall, on City Island in the Bronx, it was time for the monthly meeting of the Westchester Audiophile Society and I was late. I rushed through the door past a group of audiophiles and headed straight for the two new black loudspeakers already set up and ready to play. Music writer and society member Sid Marks made a sound. I turned to him and he pointed across the room: "Go tap on that enclosure." I walked over to one of the black speakers and did so. There was no sound&mdash;no give, no nothing. It was as if I'd knocked on a granite boulder. "See what I mean?" said Sid. I nodded. There was nothing to add.

I'll never forget my first encounter with the Krell LAT-1 loudspeaker. Late one Friday night last fall, on City Island in the Bronx, it was time for the monthly meeting of the Westchester Audiophile Society and I was late. I rushed through the door past a group of audiophiles and headed straight for the two new black loudspeakers already set up and ready to play. Music writer and society member Sid Marks made a sound. I turned to him and he pointed across the room: "Go tap on that enclosure." I walked over to one of the black speakers and did so. There was no sound&mdash;no give, no nothing. It was as if I'd knocked on a granite boulder. "See what I mean?" said Sid. I nodded. There was nothing to add.

I'll never forget my first encounter with the Krell LAT-1 loudspeaker. Late one Friday night last fall, on City Island in the Bronx, it was time for the monthly meeting of the Westchester Audiophile Society and I was late. I rushed through the door past a group of audiophiles and headed straight for the two new black loudspeakers already set up and ready to play. Music writer and society member Sid Marks made a sound. I turned to him and he pointed across the room: "Go tap on that enclosure." I walked over to one of the black speakers and did so. There was no sound&mdash;no give, no nothing. It was as if I'd knocked on a granite boulder. "See what I mean?" said Sid. I nodded. There was nothing to add.