This lapsed fan of electrostatic speakers finds it curious that, while MartinLogan is the predominant representative of this technology in the US, I had never auditioned an ML design in my home. I've enjoyed many Janszen tweeters, a KLH 9, an AcousTech X, Stax ELS-F81s, and I've dallied with <A HREF="http://www.stereophile.com/loudspeakerreviews/416">Quad ESL-63</A>s. But as dumb luck would have it, the first MartinLogan speaker to reach me, the new Montage, is a hybrid model.

This lapsed fan of electrostatic speakers finds it curious that, while MartinLogan is the predominant representative of this technology in the US, I had never auditioned an ML design in my home. I've enjoyed many Janszen tweeters, a KLH 9, an AcousTech X, Stax ELS-F81s, and I've dallied with <A HREF="http://www.stereophile.com/loudspeakerreviews/416">Quad ESL-63</A>s. But as dumb luck would have it, the first MartinLogan speaker to reach me, the new Montage, is a hybrid model.

This lapsed fan of electrostatic speakers finds it curious that, while MartinLogan is the predominant representative of this technology in the US, I had never auditioned an ML design in my home. I've enjoyed many Janszen tweeters, a KLH 9, an AcousTech X, Stax ELS-F81s, and I've dallied with <A HREF="http://www.stereophile.com/loudspeakerreviews/416">Quad ESL-63</A>s. But as dumb luck would have it, the first MartinLogan speaker to reach me, the new Montage, is a hybrid model.

This lapsed fan of electrostatic speakers finds it curious that, while MartinLogan is the predominant representative of this technology in the US, I had never auditioned an ML design in my home. I've enjoyed many Janszen tweeters, a KLH 9, an AcousTech X, Stax ELS-F81s, and I've dallied with <A HREF="http://www.stereophile.com/loudspeakerreviews/416">Quad ESL-63</A>s. But as dumb luck would have it, the first MartinLogan speaker to reach me, the new Montage, is a hybrid model.

This lapsed fan of electrostatic speakers finds it curious that, while MartinLogan is the predominant representative of this technology in the US, I had never auditioned an ML design in my home. I've enjoyed many Janszen tweeters, a KLH 9, an AcousTech X, Stax ELS-F81s, and I've dallied with <A HREF="http://www.stereophile.com/loudspeakerreviews/416">Quad ESL-63</A>s. But as dumb luck would have it, the first MartinLogan speaker to reach me, the new Montage, is a hybrid model.

One of my fondest memories of CES 2005 was spending a spare (well, technically, <I>stolen</I>) hour in T+A's room, listening to the German company's $4500 SACD-1245 CD/SACD player through T+A's $8500 V-10 integrated amplifier and a pair of Amphion's $1150/pair Helium two-way loudspeakers. Accordingly, when Quartet Marketing's Stirling Trayle called me to announce that he was in New York with the first sample of T+A's new tubed $9500 D-10 CD/SACD player, I was eager to hear it.

<I>We Get Letters Department:</I> <I>Stereophile</I> editor John Atkinson recently received the following email from Tony Fisch, the director of corporate development at MusicGiants: "MusicGiants (www.musicgiants.com) will be the <I>first company to offer high-fidelity downloads from all record labels</I>. MusicGiants uses Microsoft WMA 'lossless' codec (450kbps) to preserve 100% of the music. The result is music that sounds just like the artist intended. Finally, real music downloads up to 1100kbps. MusicGiants' downloads will be $1.29 per track, and $15.29 per album.

It's no wonder the public is confused about audio formats and sound quality, Consider claims such as the recent "major breakthrough" announcement concerning two audio technologies from Creative Technology, a company best known for making PC peripherals (most notably the Sound Blaster audio cards).

<B>TORD GUSTAVSEN TRIO: <I>The Ground</I></B><BR>
Tord Gustavsen, piano; Harald Johnsen, double bass; Jarle Vespestad, drums<BR>
ECM 1892 (CD). 2005. Manfred Eicher, prod.; Jan Erik Kongshaug, eng. DDD. TT: 60:13<BR>
Performance <B>****&#189;</B><BR>
Sonics <B>****&#189;</B>