California Audio Labs Sigma II D/A converter Measurements

California Audio Labs Sigma II D/A converter Measurements

<B>HistoriCAL Introduction</B>
<BR>
California Audio Labs is a child of the digital age. Originally, they made a noise by offering <A HREF="http://stereophile.com/digitalsourcereviews/654">modified CD players with tube output stages</A>, a practice for which I found no intellectual justification. On the other hand, the results were successful, even if (probably) due to the CAL units' softening of the harshness of early digital sound.

California Audio Labs
P.O. Box 1218
113 Taylor Way
Blue Lake, CA 95525
(707) 668-1736
www.calaudio.com

California Audio Labs Sigma II D/A converter MusiCAL Companions

California Audio Labs Sigma II D/A converter MusiCAL Companions

<B>HistoriCAL Introduction</B>
<BR>
California Audio Labs is a child of the digital age. Originally, they made a noise by offering <A HREF="http://stereophile.com/digitalsourcereviews/654">modified CD players with tube output stages</A>, a practice for which I found no intellectual justification. On the other hand, the results were successful, even if (probably) due to the CAL units' softening of the harshness of early digital sound.

California Audio Labs
P.O. Box 1218
113 Taylor Way
Blue Lake, CA 95525
(707) 668-1736
www.calaudio.com

California Audio Labs Sigma II D/A converter Specifications

California Audio Labs Sigma II D/A converter Specifications

<B>HistoriCAL Introduction</B>
<BR>
California Audio Labs is a child of the digital age. Originally, they made a noise by offering <A HREF="http://stereophile.com/digitalsourcereviews/654">modified CD players with tube output stages</A>, a practice for which I found no intellectual justification. On the other hand, the results were successful, even if (probably) due to the CAL units' softening of the harshness of early digital sound.

California Audio Labs
P.O. Box 1218
113 Taylor Way
Blue Lake, CA 95525
(707) 668-1736
www.calaudio.com

California Audio Labs Sigma II D/A converter

California Audio Labs Sigma II D/A converter

<B>HistoriCAL Introduction</B>
<BR>
California Audio Labs is a child of the digital age. Originally, they made a noise by offering <A HREF="http://stereophile.com/digitalsourcereviews/654">modified CD players with tube output stages</A>, a practice for which I found no intellectual justification. On the other hand, the results were successful, even if (probably) due to the CAL units' softening of the harshness of early digital sound.

Jim Fosgate: Of (Surround) Sound Mind Page 2

Jim Fosgate: Of (Surround) Sound Mind Page 2

Jim Fosgate fits the category of Classic American Inventor to a T. This softspoken, quietly intense man has earned 18 patents and founded three successful electronics companies. In the late 1970s, he pulled out of the car audio business to follow his quadraphonic bliss, and designed the Fosgate Tate 101, arguably the finest quad decoder of the era. He also created the best-selling matrix surround processor of all time, Dolby's Pro Logic II, and in 2003 won an Emmy for the Development of Surround Sound for Television. He now serves as a senior executive consultant for Fosgate Audionics, a division of the Rockford Corporation.

Jim Fosgate: Of (Surround) Sound Mind

Jim Fosgate: Of (Surround) Sound Mind

Jim Fosgate fits the category of Classic American Inventor to a T. This softspoken, quietly intense man has earned 18 patents and founded three successful electronics companies. In the late 1970s, he pulled out of the car audio business to follow his quadraphonic bliss, and designed the Fosgate Tate 101, arguably the finest quad decoder of the era. He also created the best-selling matrix surround processor of all time, Dolby's Pro Logic II, and in 2003 won an Emmy for the Development of Surround Sound for Television. He now serves as a senior executive consultant for Fosgate Audionics, a division of the Rockford Corporation.

Surround On The Go

Surround On The Go

One of the drawbacks of the new DualDiscs released by the major labels to date is a lack of consistency when it comes to portability&mdash;the ability to easily transfer the music to any device the listener prefers, such as an iPod, media server, PC, or MP3 player, or to make a back-up CD for car use.

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