I've been a jazz listener and fan for well over thirty years and have followed the free jazz movement since my mind was first blown on hearing electric Miles Davis playing live in the 1970's.

I would be interested in seeing your list for the best recordings. From experience changing everything in playback systems, and taking the same SACD from one system to another, I think that after some reasonable level of performance is achieved by your playback equipment and room, the recording itself is the limiting factor. I have some recordings that are just about unlistenable, even though I love the music.

Hola,

As a long time audiophile, I feel like I've seen more than my share of "honest to goodness real tweaks that will be around forever" come and go.

Examples:

Remember Peter Belt and his tin foil and alligator clip tweaks?

How about quarter sized Harmonix discs that, when placed in a large room, "totally affected the sound" to a greater extent than moving furniture ever could.

How about those disc things that we were supposed to roll along our baseboards to focus imaging.

Green pens for CD's.

CD demagnetizers.

Tice clocks.

One thing that has bugged me recently was the Class B rating for the Paradigm Reference Studio 100v3. I personally don't care if it is rated A, B, or C, but the Legacy Focus 20/20 is also rated B, and there is no comparison between the two - AT ALL! They are in different galaxies of sound quality.

High everybody!
I'm very happy to be here with you all, and many greetings from Greece!

I need your opinions or experiense (if any) on Digital power amps. Especially on Yamaha MX-D1!

Space considerations have me looking for a single unit that combines preamplification with coax digital input(s) or alternatively an integrated preamp/power amp with coax digital input(s). My initial research is not encouraging, but I was wondering if anyone here has any suggestions?

J

It seems to me that, while cables are important to get the best from equipment, they are less so than the other components of a system.
I am running Sonus Faber Cremonas on the end of a Naim 102/180 system, and was recommended Cardas Quadlinks that would have cost me four times what I finally paid for 'Signal' cables that I found on the Stereophile audio market pages, but which I have never seen reviewed in the mag. I wonder why not, as these cables are very clearly excellent and most appropriate to my setup?

There are several online databases of CDs that make cataloging a collection easy. Does anyone know of an online database of classical (or other) LPs that would make it easy to catalog one's LP collection?

My interconnects and speaker cables have arrows on indicating to be connected a certain way. Is this snake oil, hoo doo voo doo, or good audio science?