"My original goal was simply to design a better turntable than the Linn because at that time in the UK, <A HREF="http://www.stereophile.com/interviews/1101ivor">Ivor Tiefenbrun</A> was <I>the</I> man&mdash;he was the patron saint and all that. And all the hi-fi mags were full of Linns. He did for turntables, in a way, what Mark Levinson (the man) did for amplifiers."

"My original goal was simply to design a better turntable than the Linn because at that time in the UK, <A HREF="http://www.stereophile.com/interviews/1101ivor">Ivor Tiefenbrun</A> was <I>the</I> man&mdash;he was the patron saint and all that. And all the hi-fi mags were full of Linns. He did for turntables, in a way, what Mark Levinson (the man) did for amplifiers."

"My original goal was simply to design a better turntable than the Linn because at that time in the UK, <A HREF="http://www.stereophile.com/interviews/1101ivor">Ivor Tiefenbrun</A> was <I>the</I> man&mdash;he was the patron saint and all that. And all the hi-fi mags were full of Linns. He did for turntables, in a way, what Mark Levinson (the man) did for amplifiers."

"My original goal was simply to design a better turntable than the Linn because at that time in the UK, <A HREF="http://www.stereophile.com/interviews/1101ivor">Ivor Tiefenbrun</A> was <I>the</I> man&mdash;he was the patron saint and all that. And all the hi-fi mags were full of Linns. He did for turntables, in a way, what Mark Levinson (the man) did for amplifiers."