Siggy's Stardust

Siggy's Stardust

T+A's Siegfried Amft thinks different. That's obvious from his beautifully designed tube and solid-state products, an observation that cruelly ignores how good they sound. I was happy to see that Amft made it to the show, because I reckoned that meant he had something new and startling to demonstrate. He did: Criterion TCI 2 Active loudspeakers ($25,500/pair), sarcophagi incorporating twin carbon fiber 10" woofers in a selaed enclosure, a 7" specially tuned midrange cone, and a curved electrostatic panel that Amft claims can produce SPLs above 120dB "while maintaining superb membrane travel and distortion characteristics."

Guys,some help please.

Forums

Hiya all

I am looking for a "lush" sounding , true balanced , interconnect. Could you please recommend a few brands and/or models ? Also,since i'm gonna be using about 6 meters i wouldn't want anything utterly expensive.i know there are some cheap good cables (under $300 per meter) there but i really would like your imput here.

Thanks in advance

Andrew Lipinski Solves Show Room Acoustics Problem

Andrew Lipinski Solves Show Room Acoustics Problem

Andrew and Lukas Lipinski, manufacturers of the L-707 monitor I <A HREF="http://stereophile.com/standloudspeakers/1205lipinski/">reviewed in December</A>, were fed up with poor room acoustics and slow foot traffic at trade shows. So they eliminated the room! Ray Kimber urged them to take the empty spot in the Alexis Park lunchroom for their demo setup. Andrew set up one of the few multi-channel demo systems at the Show using six L-707s, including the one for rear height information seen in the photo. Despite the din of the lunch crowd, all I had to do was sit in the nearfield, and I was bathed in sound from Andrew's multi-channel recordings, such as his new <I>Republique</I> SACD. For the photo, however, they kicked back with Telarc's recording of Ladysmith Black Mambazo singing "Diamonds in the Soles of Her Shoes." It definitely rocked the lunchroom!

stereophile arrival

To whom this may concern:
Recently, over the last few issues, I have received my (subscribed) copy of Stereophile ten to fourteen days after, I have seen the same issue at magazine and equipment dealers. WHY?. Is it possible that the heart of a magazine's readership-- the subscriber obtain the best service? or at least comparable to that of purchasing off the rack?

--len

cable help

Forums

I can't belive that I am getting sucked into the world of cable. I recently purchased a new set of speakers (paradigm studio 40's). I hooked them up to my system with the Monster cables I bought in the mid eighties, at a dollar a foot. Sounded great, but I thought why not spend a few bucks and get some new Z1 cables. The sales lit made it sound like the technology had improved a lot and it was only two fifty a foot.

I was amazed that the new cables sounded tinny, almost brittle. I was also mazed buy the decrease in the amount of copper in the cable from old to the new.

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