High-end audio is not a rational construct. It is a sensory experience that leads to emotional engagement. In slightly different words: High-end audio is not about a <I>concept</I>, but about the <I>experience</I> of having our emotions engaged. The difference between reading about a high-end audio system and hearing great recordings played on one is almost as big as the difference between reading a love poem and falling in love.

<B>MAHLER: Symphony 8</B><BR>
Barbara Kubiak, Izabela Klosinska, Marta Boberska, sopranos; Jadwiga Rapp&#233;, Ewa Marciniec, altos; Timothy Bentch, tenor; Wojtek Drabowicz, baritone; Piotr Nowacki, bass; Warsaw National Philharmonic Choir & Orchestra, Polish Radio Choir in Krakow, Cardinal Stefan Wyszynski University Choir, Warsaw Boys Choir; Antoni Wit, conductor<BR>
Naxos 8.550533-34 (2 CDs). 2006. Andrzej Sasin, Aleksandra Nagorko, prods. DDD. TT: 80:51<BR>
Performance *****<BR>
Sonics *****

<B>MAHLER: Symphony 8</B><BR>
Barbara Kubiak, Izabela Klosinska, Marta Boberska, sopranos; Jadwiga Rapp&#233;, Ewa Marciniec, altos; Timothy Bentch, tenor; Wojtek Drabowicz, baritone; Piotr Nowacki, bass; Warsaw National Philharmonic Choir & Orchestra, Polish Radio Choir in Krakow, Cardinal Stefan Wyszynski University Choir, Warsaw Boys Choir; Antoni Wit, conductor<BR>
Naxos 8.550533-34 (2 CDs). 2006. Andrzej Sasin, Aleksandra Nagorko, prods. DDD. TT: 80:51<BR>
Performance *****<BR>
Sonics *****

This blog has been taken over by the evil genius Huckleberry T. Cat and will no longer parrot the pro-human party line of Wes Phillips <I>et al</I>.