The Moon by Simaudio room was playing music streamed from the company's Roon-ready, DSD- and MQA-decoding Moon 680D streamer DAC ($13,000), connected to a 740P balanced preamp ($11,500), both connected to a two-output 820S optional external power supply ($10,000).
Oh, là, là! It’s back!: the North American audio show with the Euro flair, the Montréal Audiofest—or as I like to call it, the sexy audio show. It’s at its usual illustrious spot, the Hotel Bonaventure. Boy, did I miss it—and miss covering it for Stereophile. It’s always a fun event to visit, and it’s my hometown show, the one I’ve been going to for thirty years—until the Big Bug stopped it. The show runs from March 25 to March 27.
What am I doing with a vacuum tube preamplifier? I haven't owned a tubed preamp since I bought a Sonic Frontiers Line 3 preamplifier at the turn of the century. I set that aside within a few years as I moved into multichannel because multichannel tube-based electronics were, and still are, rare. My last home experience with a vacuum tube was with a PS Audio Stellar M1200 monoblock power amp, which is a hybrid with a 12AX7-based input stage.
Cécile Mclorin Salvant: Ghost Song
McLorin Salvant, vocals; Sullivan Fortner, piano, Fender Rhodes; Aaron Diehl, piano, pipe organ; Paul Sikivie, Burniss Travis, bass; Alexa Tarantino, flute; Marvin Sewell, guitar; James Chirillo, banjo; Keita Ogawa, percussion; Kyle Poole, drums; Daniel Swenberg, lute, theorbo; Brooklyn Youth Chorus.
Nonesuch (LP, CD). McLorin Salvant, prod.; Todd Whitelock, Patrick Dillet, Chris Muth, engs.
Performance *****
Sonics *****
Starting with her out-of-nowhere triumph at the 2010 Thelonious Monk Jazz Competition and continuing with the release of four albums including three Grammy winners, Cécile McLorin Salvant, still just 32, has been raising eyebrows and neck hairs for a dozen years. She reigns as the supreme jazz singer of our time, ranking among the best of all time. More remarkable, she keeps getting better, and, rarer still, she keeps evolving, expanding her repertoire of styleswhich was vast from the startwithout losing a wisp of her deep blues, swing, precision, wit, operatic range, or storytelling drama.