Blind loudspeaker listening tests are hard work, not least because usually, most of the models being auditioned fail to light any musical sparks. But back in the spring of 1991, when a small group of <I>Stereophile</I> writers were doing blind tests for a group speaker review, one speaker did light up smiles on the listeners' faces, including my own. (We don't talk during our blind tests, but it's more difficult to keep body language in check.) Once the results were in, we learned that the speaker that got the music right in that test was the diminutive ES11 from Epos in England (footnote 1).

Blind loudspeaker listening tests are hard work, not least because usually, most of the models being auditioned fail to light any musical sparks. But back in the spring of 1991, when a small group of <I>Stereophile</I> writers were doing blind tests for a group speaker review, one speaker did light up smiles on the listeners' faces, including my own. (We don't talk during our blind tests, but it's more difficult to keep body language in check.) Once the results were in, we learned that the speaker that got the music right in that test was the diminutive ES11 from Epos in England (footnote 1).

Blind loudspeaker listening tests are hard work, not least because usually, most of the models being auditioned fail to light any musical sparks. But back in the spring of 1991, when a small group of <I>Stereophile</I> writers were doing blind tests for a group speaker review, one speaker did light up smiles on the listeners' faces, including my own. (We don't talk during our blind tests, but it's more difficult to keep body language in check.) Once the results were in, we learned that the speaker that got the music right in that test was the diminutive ES11 from Epos in England (footnote 1).

Blind loudspeaker listening tests are hard work, not least because usually, most of the models being auditioned fail to light any musical sparks. But back in the spring of 1991, when a small group of <I>Stereophile</I> writers were doing blind tests for a group speaker review, one speaker did light up smiles on the listeners' faces, including my own. (We don't talk during our blind tests, but it's more difficult to keep body language in check.) Once the results were in, we learned that the speaker that got the music right in that test was the diminutive ES11 from Epos in England (footnote 1).

The La Luce turntable's elegant form usually stops audiophiles dead in their tracks. Then comes a long, low "Wow." I'm hardly immune myself. And that's not even considering the sound, which has always been wonderful, as it was in the Joseph Audio/Cardas room at CES '98.

The La Luce turntable's elegant form usually stops audiophiles dead in their tracks. Then comes a long, low "Wow." I'm hardly immune myself. And that's not even considering the sound, which has always been wonderful, as it was in the Joseph Audio/Cardas room at CES '98.

The La Luce turntable's elegant form usually stops audiophiles dead in their tracks. Then comes a long, low "Wow." I'm hardly immune myself. And that's not even considering the sound, which has always been wonderful, as it was in the Joseph Audio/Cardas room at CES '98.

The La Luce turntable's elegant form usually stops audiophiles dead in their tracks. Then comes a long, low "Wow." I'm hardly immune myself. And that's not even considering the sound, which has always been wonderful, as it was in the Joseph Audio/Cardas room at CES '98.

The La Luce turntable's elegant form usually stops audiophiles dead in their tracks. Then comes a long, low "Wow." I'm hardly immune myself. And that's not even considering the sound, which has always been wonderful, as it was in the Joseph Audio/Cardas room at CES '98.