I wonder if the Chord 2HIGH made a noticeable difference to the sound or ergononics of the DAC64/Blu? It sounds line it was carefully made including damping materials and odes cost $2100 for which I'm sure you can get an effective isolation platform from another company.
Did you try this WP but your coments not make the final review?
On August 15, Sonos announced the release of Sonos System Software v2.3, which adds Sirius Internet Radio connectivity to the company's line of digital music systems. Sirius subscribers who own Sonos systems can add that system to their coverage for an additional $2.99/month. Sonos system owners who do not already subscribe to Sirius can purchase Sirius Internet Radio subscriptions for $12.95/month.
The Harvey acquisition of MyerEmco announced in <A HREF="http://www.stereophile.com/news/051407harvey/">May</A> has been called off. The merger—which was supposed to have closed by June 7, later extended to the end of July, and then pushed back to August 10—called for Harvey to pay $10 million in cash and assume MyerEmco's debt.
Has anyone heard the AudioSource Amp Seven T Tripath digital power amplifier? Supposedly designed by ex-Carver engineers. 200 watts per channel into 8 Ohms with 0.04% THD. AudioSource has nothing about it on their website.
Attention Screen: The Making of Live at Merkin Hall Attention Screen: The Players
<B>John Atkinson: Making It Live</B>
<BR>
The e-mail from <I>Stereophile</I> reviewer Bob Reina was straightforward: "I want to make a demo of my new jazz group. I plan to record the session in my living room by getting my old four-channel Teac 3440 out of mothballs and sticking one or two mikes on each instrument. I'd like your view on which mikes would be most appropriate for the four instruments . . . "
Attention Screen: The Making of Live at Merkin Hall The Music
<B>John Atkinson: Making It Live</B>
<BR>
The e-mail from <I>Stereophile</I> reviewer Bob Reina was straightforward: "I want to make a demo of my new jazz group. I plan to record the session in my living room by getting my old four-channel Teac 3440 out of mothballs and sticking one or two mikes on each instrument. I'd like your view on which mikes would be most appropriate for the four instruments . . . "
Attention Screen: The Making of Live at Merkin Hall Page 3
<B>John Atkinson: Making It Live</B>
<BR>
The e-mail from <I>Stereophile</I> reviewer Bob Reina was straightforward: "I want to make a demo of my new jazz group. I plan to record the session in my living room by getting my old four-channel Teac 3440 out of mothballs and sticking one or two mikes on each instrument. I'd like your view on which mikes would be most appropriate for the four instruments . . . "
Attention Screen: The Making of Live at Merkin Hall Page 2
<B>John Atkinson: Making It Live</B>
<BR>
The e-mail from <I>Stereophile</I> reviewer Bob Reina was straightforward: "I want to make a demo of my new jazz group. I plan to record the session in my living room by getting my old four-channel Teac 3440 out of mothballs and sticking one or two mikes on each instrument. I'd like your view on which mikes would be most appropriate for the four instruments . . . "
I wonder if the Chord 2HIGH made a noticeable difference to the sound or ergononics of the DAC64/Blu? It sounds line it was carefully made including damping materials and odes cost $2100 for which I'm sure you can get an effective isolation platform from another company.
Did you try this WP but your coments not make the final review?
All the best
Jeremy