Preamp/Amp Pairing w/ Paradigm Studio 100 v.4

I would like to pair a tube preamp & a ss power amp with Paradigm Studio 100 v.4 speakers to create a detailed, yet musical sound without being overly warm. (I generally listen to jazz - both vocals & instrumentals). The Rogue Perseus tube preamp & the Rotel 1080 ss power amp that I auditioned seemed to move the sound in the direction that I liked.

Since I do not have any brand allegiance, are there other preamp/power amp combinations that you might recommend?

Thank you for your help.

Thanks Kevin Mullen.....whoever you are! Sneak Peek Photos are coming.

Im Cabe Sipes and I did a google search on myself (gotta watch out for crazy stuff) and saw this thread. Kevin is correct that I have started a new home audio loudspeaker company. The prototypes were tested and I am VERY pleased with the results. I will be posting up some sneek pics within the next couple days but I will say one series holds dual 7 inch drivers and a 6 inch ribbon tweeter in an MTM configuration all handmade from fiberglass and will have automotive painted finish. Oh, did I mention they are wall mount and not floorstanding........

what system to match a pair of Sonus Faber Domus Grand Piano

I have a pair of Sonus Faber Domus Grand Piano.
1. What system would you recommend me if I want it for listening to vocal (opera, rennaissance, Elizabethan) and baroque music?
2. I am considering the Krell KAV400i but it seems too much power for the 30-200 Wpc range of the SF speakers. Or not?
3. TAny tube amp?

new speakers

Hi,
I am hoping to get some advice on what new speakers to buy. my current setup is a Lenco L60 TT, Marantz 2270 receiver and B&W 202i speakers. These speakers don't sound bad to me but just kind of flat. What current speakers do you think would work well with the Marantz? I am hoping to spend no more than $500 for the pair.
Thanks for any thoughts,

Dan

Globes of Desire

Globes of Desire

I was saddened today to read about the December 22 passing of Ruth Wallis, a singer from the 40's through 60's who specialized in creative naughtiness. Born in Brooklyn (where else?), she sang with Benny Goodman and owned her own record label, but it was her risque tunes like, "The Dinghy Song" ("He had the cutest little dinghy in the Navy") that brought her the most fame and which became the basis for an unlikely 2003 Broadway hit, <I>Boobs! The Musical: The World According to Ruth Wallis</I>. Here are a few classic couplets from the Wallis-penned title tune:

"You've gotta be filled
Two fried eggs will never grab him like grapefruits will
(And they're both breakfast foods)
But listen girls, don't try to fool your lover
Remember, he can go to Good Year if he wants rubber"

"Just think if all us girls had boobies with fluorination
We could take the cavities out of the whole damn nation
A nibble a day keeps the dentist away"

"Some push 'em up
Some stick 'em out
And some keep 'em flappin' in the breeze
Some tie then down because if they don't
They would hang down to their knees
Just you tease"

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