VMPS SuperTower IIa/R loudspeaker Specifications

VMPS SuperTower IIa/R loudspeaker Specifications

One of the nicest features of the High End is its diversity. Regardless of whatever trend is fashionable, there will always be manufacturers to buck it, and sell alternative concepts and sounds. VMPS is just such a case. With few exceptions, the recent trend in speaker systems has been toward small-to-medium-sized "monitors" with good imaging and high resolution, but limited bass and dynamics (footnote 1). The VMPS SuperTowers provide the former, but buck the trend by adding reproduction of the deepest bass and outstanding full-range dynamics.

VMPS SuperTower IIa/R loudspeaker JGH's System

VMPS SuperTower IIa/R loudspeaker JGH's System

One of the nicest features of the High End is its diversity. Regardless of whatever trend is fashionable, there will always be manufacturers to buck it, and sell alternative concepts and sounds. VMPS is just such a case. With few exceptions, the recent trend in speaker systems has been toward small-to-medium-sized "monitors" with good imaging and high resolution, but limited bass and dynamics (footnote 1). The VMPS SuperTowers provide the former, but buck the trend by adding reproduction of the deepest bass and outstanding full-range dynamics.

VMPS SuperTower IIa/R loudspeaker J. Gordon Holt May 1988

VMPS SuperTower IIa/R loudspeaker J. Gordon Holt May 1988

One of the nicest features of the High End is its diversity. Regardless of whatever trend is fashionable, there will always be manufacturers to buck it, and sell alternative concepts and sounds. VMPS is just such a case. With few exceptions, the recent trend in speaker systems has been toward small-to-medium-sized "monitors" with good imaging and high resolution, but limited bass and dynamics (footnote 1). The VMPS SuperTowers provide the former, but buck the trend by adding reproduction of the deepest bass and outstanding full-range dynamics.

VMPS SuperTower IIa/R loudspeaker

VMPS SuperTower IIa/R loudspeaker

One of the nicest features of the High End is its diversity. Regardless of whatever trend is fashionable, there will always be manufacturers to buck it, and sell alternative concepts and sounds. VMPS is just such a case. With few exceptions, the recent trend in speaker systems has been toward small-to-medium-sized "monitors" with good imaging and high resolution, but limited bass and dynamics (footnote 1). The VMPS SuperTowers provide the former, but buck the trend by adding reproduction of the deepest bass and outstanding full-range dynamics.

Audio By Van Alstine Super-PAS Three preamplifier Measurements

Audio By Van Alstine Super-PAS Three preamplifier Measurements

If I had to pick one amplifier designer as having had the greatest continuing influence on the high-end market, as much as I admire John Curl, Audio Research's <A HREF="http://www.stereophile.com/interviews/894z">Bill Johnson</A>, and Krell's <A HREF="http://www.stereophile.com/interviews/1203dagostino">Dan D'Agostino</A>, the name of <A HREF="http://www.stereophile.com/news/11661">David Hafler</A> inexorably springs to mind. Not because he challenged the very frontiers of hi-fi sound, but because he combined a fertile, creative mind (footnote 1) with a need to bring good sound to as wide an audience as possible, both by making his products relatively inexpensive and by making them available as kits. (The Major Armstrong Foundation apparently agrees with me&#151;they presented David with their "Man of High Fidelity" award at the summer 1988 CES.) It remains to be seen if the Hafler company will continue in this tradition, now that David has sold it to Rockford-Fosgate. But there is no doubt that many audiophiles were first made aware of the possibilities of high-end sound by Hafler products in the late '70s, and by Dynaco in the '60s.

Audio By Van Alstine Super-PAS Three preamplifier JA's System

Audio By Van Alstine Super-PAS Three preamplifier JA's System

If I had to pick one amplifier designer as having had the greatest continuing influence on the high-end market, as much as I admire John Curl, Audio Research's <A HREF="http://www.stereophile.com/interviews/894z">Bill Johnson</A>, and Krell's <A HREF="http://www.stereophile.com/interviews/1203dagostino">Dan D'Agostino</A>, the name of <A HREF="http://www.stereophile.com/news/11661">David Hafler</A> inexorably springs to mind. Not because he challenged the very frontiers of hi-fi sound, but because he combined a fertile, creative mind (footnote 1) with a need to bring good sound to as wide an audience as possible, both by making his products relatively inexpensive and by making them available as kits. (The Major Armstrong Foundation apparently agrees with me&#151;they presented David with their "Man of High Fidelity" award at the summer 1988 CES.) It remains to be seen if the Hafler company will continue in this tradition, now that David has sold it to Rockford-Fosgate. But there is no doubt that many audiophiles were first made aware of the possibilities of high-end sound by Hafler products in the late '70s, and by Dynaco in the '60s.

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