Chris Vogel of the Space Coast Audio Society is excited. He believes he has developed a “dramatic improvement” for treating deleterious, devilish static&#151not only on compact discs, but in compact disc players and even integrated amplifiers.

On November 19, Scottosh manufacturer Linn Products held a press conference in London to announce that it was forthwith ceasing the production of CD players, and effectively replacing them by its new DS-series "digital streaming" components in its product portfolio.

I have reviewed and owned so many Paradigm speakers that they feel almost like members of the family. I've owned the v.2 and v.3 versions of the Reference Studio 60, and reviewed the v.3 version in <I>Stereophile</I> (in <A HREF="http://www.stereophile.com/floorloudspeakers/1204paradigm">December 2004</A>, Vol.27 No.12). My long and intimate relationship with this speaker is founded on the best of reasons: We are extremely compatible. The Studio 60, in all its incarnations, is large enough to be used as a full-range speaker with nearly any program material, and yet is compact enough to be easily accommodated in my relatively small Connecticut listening room. It neither looms over me nor disappears into the space. Used as a center-channel speaker, it's just short enough to clear my line of sight to the video display. Finally, and despite inevitable price creep over the last decade, the Studio 60 still comes in under $2000/pair&#151;my line in the sand for a <I>reasonably</I> priced system.

I have reviewed and owned so many Paradigm speakers that they feel almost like members of the family. I've owned the v.2 and v.3 versions of the Reference Studio 60, and reviewed the v.3 version in <I>Stereophile</I> (in <A HREF="http://www.stereophile.com/floorloudspeakers/1204paradigm">December 2004</A>, Vol.27 No.12). My long and intimate relationship with this speaker is founded on the best of reasons: We are extremely compatible. The Studio 60, in all its incarnations, is large enough to be used as a full-range speaker with nearly any program material, and yet is compact enough to be easily accommodated in my relatively small Connecticut listening room. It neither looms over me nor disappears into the space. Used as a center-channel speaker, it's just short enough to clear my line of sight to the video display. Finally, and despite inevitable price creep over the last decade, the Studio 60 still comes in under $2000/pair&#151;my line in the sand for a <I>reasonably</I> priced system.

I have reviewed and owned so many Paradigm speakers that they feel almost like members of the family. I've owned the v.2 and v.3 versions of the Reference Studio 60, and reviewed the v.3 version in <I>Stereophile</I> (in <A HREF="http://www.stereophile.com/floorloudspeakers/1204paradigm">December 2004</A>, Vol.27 No.12). My long and intimate relationship with this speaker is founded on the best of reasons: We are extremely compatible. The Studio 60, in all its incarnations, is large enough to be used as a full-range speaker with nearly any program material, and yet is compact enough to be easily accommodated in my relatively small Connecticut listening room. It neither looms over me nor disappears into the space. Used as a center-channel speaker, it's just short enough to clear my line of sight to the video display. Finally, and despite inevitable price creep over the last decade, the Studio 60 still comes in under $2000/pair&#151;my line in the sand for a <I>reasonably</I> priced system.

I have reviewed and owned so many Paradigm speakers that they feel almost like members of the family. I've owned the v.2 and v.3 versions of the Reference Studio 60, and reviewed the v.3 version in <I>Stereophile</I> (in <A HREF="http://www.stereophile.com/floorloudspeakers/1204paradigm">December 2004</A>, Vol.27 No.12). My long and intimate relationship with this speaker is founded on the best of reasons: We are extremely compatible. The Studio 60, in all its incarnations, is large enough to be used as a full-range speaker with nearly any program material, and yet is compact enough to be easily accommodated in my relatively small Connecticut listening room. It neither looms over me nor disappears into the space. Used as a center-channel speaker, it's just short enough to clear my line of sight to the video display. Finally, and despite inevitable price creep over the last decade, the Studio 60 still comes in under $2000/pair&#151;my line in the sand for a <I>reasonably</I> priced system.

I have reviewed and owned so many Paradigm speakers that they feel almost like members of the family. I've owned the v.2 and v.3 versions of the Reference Studio 60, and reviewed the v.3 version in <I>Stereophile</I> (in <A HREF="http://www.stereophile.com/floorloudspeakers/1204paradigm">December 2004</A>, Vol.27 No.12). My long and intimate relationship with this speaker is founded on the best of reasons: We are extremely compatible. The Studio 60, in all its incarnations, is large enough to be used as a full-range speaker with nearly any program material, and yet is compact enough to be easily accommodated in my relatively small Connecticut listening room. It neither looms over me nor disappears into the space. Used as a center-channel speaker, it's just short enough to clear my line of sight to the video display. Finally, and despite inevitable price creep over the last decade, the Studio 60 still comes in under $2000/pair&#151;my line in the sand for a <I>reasonably</I> priced system.