

Free 24 bit music from the Internet Archive
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Just heard a few seconds of the first track, but I am downloading all of it (a freaking lot) since the sound is so great.
http://www.archive.org/details/charliehunter2003-07-20.flac24
which side of the groove is which?
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Looking down at the record, which side of the groove is the "left" side?
In other words, is it the side of the groove closest to the spindle that carries the left channel of the recording, or is it the side of the groove closest to the record's edge?
You'd think this would be easy to look up, but I've been using Google for a few hours and come up with nothing. I'm getting a bit of left-side bias in my playback, and can't tell if I should increase or reduce my anti-skating force.
Thanks for any advice.
Bit perfect. Does it matter?
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As computer audiophiles we love to obsess about 'bit perfectness' ('bit perfection'?), in other words whether or not the integrity of the audio samples being properly preserved in the digital domain. This is particularly relevant when ripping CDs, since a data error that makes its way into the ripped file will remain there forever. However, given that on an audio CD each 16-bit word (some simplification here) encodes one sample representing only 1/44100th of a second of audio it is legitimate to ask whether these errors are generally audible at all.
Buddha got KBK abducted
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Describe your personal hi-fi hell, or tell us about your most treacherous hi-fi demon.
The path to audio nirvana sometimes takes us in dark and difficult directions. We must fight terrible evils (such as room nodes) and stand strong against great adversities (such as <a href="http://blog.stereophile.com/stephenmejias/making_music_again/">static electricity</a>) to achieve sonic bliss. We have all encountered our fair share of audio demons. Describe your personal hi-fi hell, or tell us about your most treacherous hi-fi demon.
Al Gore out of Hiding: What's a few mistakes?
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http://www.reuters.com/article/idUSN0111549320100301?type=marketsNews