OBAMA ADVISER: WINTER TO 'DISTORT' UNEMPLOYMENT FIGURES

http://www.reuters.com/article/idUSN0111549320100301?type=marketsNews


Quote:

"The blizzards that affected much of the country during the last month are likely to distort the statistics. So it's going to be very important ... to look past whatever the next figures are to gauge the underlying trends," Summers said in an interview with CNBC, according to a transcript.

which side of the groove is which?

Looking down at the record, which side of the groove is the "left" side?

In other words, is it the side of the groove closest to the spindle that carries the left channel of the recording, or is it the side of the groove closest to the record's edge?

You'd think this would be easy to look up, but I've been using Google for a few hours and come up with nothing. I'm getting a bit of left-side bias in my playback, and can't tell if I should increase or reduce my anti-skating force.

Thanks for any advice.

Armed and Ready

Armed and Ready

A couple of friends came over this weekend to listen to records, and I’m happy to report that we experienced no trouble at all. No static, no distortion, no woman, no cry. Record after record, beer after beer, the Rega sounded just fine. I do believe <a href="http://blog.stereophile.com/stephenmejias/all_schmutzed_up_and_i_dont_k… days of vinyl misery</a> are over. But just in case the static monster decides to come round again, I also picked up a can of StaticGuard ($4 at DuaneReade). Before the dudes came over, I sprayed the stuff on the rug in front of my system, as well as on the curtains behind the system. The smell wasn’t so bad and the dry mist evaporated quickly. My apartment has never been so static-free.

Bit perfect. Does it matter?

As computer audiophiles we love to obsess about 'bit perfectness' ('bit perfection'?), in other words whether or not the integrity of the audio samples being properly preserved in the digital domain. This is particularly relevant when ripping CDs, since a data error that makes its way into the ripped file will remain there forever. However, given that on an audio CD each 16-bit word (some simplification here) encodes one sample representing only 1/44100th of a second of audio it is legitimate to ask whether these errors are generally audible at all.

Describe your personal hi-fi hell, or tell us about your most treacherous hi-fi demon.

Category

The path to audio nirvana sometimes takes us in dark and difficult directions. We must fight terrible evils (such as room nodes) and stand strong against great adversities (such as <a href="http://blog.stereophile.com/stephenmejias/making_music_again/">static electricity</a>) to achieve sonic bliss. We have all encountered our fair share of audio demons. Describe your personal hi-fi hell, or tell us about your most treacherous hi-fi demon.

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