In home theater, the latest thing is 3D TV, and while <I>Stereophile</I> doesn’t normally cover Home Theater, I just had to check out the Sony and Samsung 3D demos. With the high-end "shuttered” glasses, the 3D effect was quite startling. However, I thought I’d have a go at producing a 3D-like effect with a 2D image. So here's a photo of <I>Stereophile</I>'s assistant editor and blogger Stephen Mejias coming right at you from Montreal&#151;and no shuttered glasses needed! Sony/Samsung, eat your heart out. (For the photographically inclined: this was shot with a Panasonic GF1, 7-14mm Panasonic lens set at 7mm. I love this lens!)

Shows like SSI are about the cutting edge in audio, with the latest and (purportedly) greatest on display and demonstration. Given this, I always get a kick out of spotting a piece of equipment that just does not seem to belong in such august company. This Sanyo JCX 2600K stereo receiver is from another era&#151;circa 1978&#150;1981 according to the ever-helpful Google search. Looks like it's in great shape. I spotted it on a shelf in an area of the show where they were setting up racks of LPs for sale. What was it doing there? I have no idea. Wonder how it compares sonically with the latest-and-greatest?

Grant Fidelity purchasing manager, Rachel Zhang, explained that her company wants to bring “a self-servicing, consumer electronics distribution model to high-end audio.” All of Grant Fidelity’s products are available factory-direct; and, instead of the traditional dealer network, Grant Fidelity utilizes private, home-based demonstrators. The goal is to make available more affordable products for a younger and more varied audience, Zhang said.

I was intrigued by Grant Fidelity’s small B283 Mk.II tube processor ($225). Placed between a source component and integrated amplifier or between a preamp and amp, the B283 offers users the ability to “feel the difference of tube sound versus solid-state sound, and to experiment with tube-rolling,” Rachel Zhang explained. Interestingly, guitarists have also been known to use the B283 in front of their solid-state amps. Neat.

The Salon Son & Image has been organized for the past 4 years by Michel Plante and Sarah Tremblay, who were to be seen everywhere on the Show's opening day. I have been involved in running Shows for almost 30 years, and I must say that from the visitors' perspective and, I hope, the exhibitors', the 2010 event was superbly organized. Good signage, a great venue, and overall good sound, I take my hat off to Michel and Sarah. They even partnered with CEDIA for the first time at the 2010 Show to present "CEDIA University," a series of training seminars for custom installation. The evening of the first day, Michel thanked everyone in a short speech at the opening reception and wished them "Bon Salon!" before handing the stage over to the Give Band.

Following Michel Plante's speech at the opening night reception, the Give Band played a great set of world-music&#150;influenced rock that, thankfully, was not too loud. (The FoH mixer must have been an audiophile.) The band's CD <I>AudioPhylanthrope</I>, recorded and mastered at the world-famous Guy St-Onge's studio, was launched at SSI as the Show's reference recording. The Give Band are performing at 9pm tonight (Friday, when the Show closes) in the Lounge Stereo Plus on SSI's lower floor, so if you are at the Show, you still have a chance to check them out.

The Give Band's singer/flute player, Caroline St. Louis, was last seen on this Show report wearing a <A HREF="http://blog.stereophile.com/ssi2010/press_day/">blue wig</A> at the ticket counter. Wearing a wireless mike, she danced and sang to impressive effect.

I was also impressed by the sound of the $7000/pair Joseph Pulsar stand-mount that Stephen Mejias <A HREF="http://blog.stereophile.com/ssi2010/joseph_audio_simon_and_garfunkel/">… about</A>. What was notable about the set-up was that, in order to tame the hotel room acoustic, Jeff had set-up the speakers, driven by Simaudio's new 175Wpc Moon 700i integrated amplifier via Cardas Clear cables, to fire across the room's diagonal. If you have problems getting an optimal transition between the mid-bass and upper bass in your room, you might want to try this set-up (significant other not objecting, of course).