I should begin this review by confessing that I've never been a fan of subwoofers. Most subwoofer systems I've heard have been plagued by a familiar litany of sonic horrors: poor integration between subwoofer and main speakers, boom, bloat, tubbiness, slowness, excessive LF output, and an overall presentation that constantly reminds the listener he is hearing a big cone moving. To me, subwoofers often sound detached from the music, providing an accompanying thump that bears little relationship to the sound from the main speakers. Rather than revealing the music's harmonic underpinnings, subwoofers often obscure them in a thick morass of featureless boom. In addition, adding a subwoofer often destroys the qualities of the main speakers that made you buy them in the first place—just to name a few of my observations (footnote 1).

Other than that, I like subwoofers.

The Random House Dictionary of the English Language defines "myriad," derived from a Greek word meaning "ten thousand," as "a very great number of persons or things." British and unabashedly ambitious, Myryad Systems has set itself myriad design goals for its M-series stereo components: audiophile performance, real-world pricing, convenience, circuit simplicity, common remote-control function, and physical beauty.

Lately, I’ve been listening almost exclusively to CDs and CD players. It hasn’t been bad at all. In our December issue, I’ll talk about the Emotiva ERC-2 CD player ($449); in January, I’ll compare the Emotiva to Michael Lavorgna’s longtime digital reference, the original Sony Playstation 1 (typically $15–$75, used); and, in February, I’ll listen to NAD’s C 515BEE ($300), the disc-spinning counterpart to that company’s awesome C 316BEE integrated amplifier.

It’s been the perfect time for me to listen to CD players because my old band, The Multi-Purpose Solution, is reuniting to play a show this Friday, November 4, at Maxwell’s in Hoboken, NJ.