Meeting up with Tone Imports’ Jonathan Halpern and Pitch Perfect Audio’s Matthew Rotunda was like a family reunion for me. Along with John DeVore and Twittering Machines’ Michael Lavorgna, Halpern is one of my oldest friends and audio guides. His east coast (or Midwest) appearances are rare since he restationed himself in the sunny California desert. His and Rotunda’s ability to assemble a beautiful sounding system remains the same as it ever was.

On Thursday night, Chris Shaw, one of Focal’s setup men, was having a tough time. He’d almost finished dialing in the 584-lb Focal Grande Utopias EM Evo speakers, but their bass (14Hz at -6dB) caused a ceiling light fixture in the large Focal/Naim room to rattle. Shaw pushed a printed show banner out of the way to make space for a ladder. A few minutes later, thanks to some sticky tape, the distracting noise was gone.

Distributor Aldo Filippeli of the Luxury Audio Group sure knows how to get the press’s attention. Schedule a room in the Convention Center that he can set up beforehand, invite the press to hour-long sessions before the show begins, and ensure that we come away fulfilled. When Alexander Vitus Mogensen, CEO of Vitus Audio, quipped, “This is the best sounding room at the show right now!” he was telling the truth. In all honesty, if it doesn’t turn out to be one of the top five best sounding rooms at AXPONA 2024, if not the best, I’ll be surprised.

Jim Snidero: For All We Know; Noah Haidu: Standards II; Adam Schroeder & Mark Masters: CT!; Dino Betti van der Noot: Let Us Recount Our Dreams.

The Allman Brothers Band: Manley Field House, Syracuse University, April 7, 1972; The Babys: Live at the Bottom Line, 1979.

Neave Trio: A Room of Her Own; Gidon Kremer: Songs of Fate; Trio Zimbalist: Piano Trios of Weinberg, Auerbach, & Dvořák.