1991 Records To Die For Page 9

1991 Records To Die For Page 9

This is a somewhat different twist on other "Recommended Recordings" lists you may have read. Rather than a selection of all-time (or year's) best recorded performances---which are common enough---or a list of audiophile reference recordings---common enough in the audiophile press, at any rate, and a good thing, too---this is a list of stereo recordings that are both musically <I>and</I> sonically impeccable---in other words, the best, the tops, to die for---each item briefly described in a hundred or so words (except for JA, LA, and JGH, whose couplets runneth over).

1991 Records To Die For Page 8

1991 Records To Die For Page 8

This is a somewhat different twist on other "Recommended Recordings" lists you may have read. Rather than a selection of all-time (or year's) best recorded performances---which are common enough---or a list of audiophile reference recordings---common enough in the audiophile press, at any rate, and a good thing, too---this is a list of stereo recordings that are both musically <I>and</I> sonically impeccable---in other words, the best, the tops, to die for---each item briefly described in a hundred or so words (except for JA, LA, and JGH, whose couplets runneth over).

1991 Records To Die For Page 7

1991 Records To Die For Page 7

This is a somewhat different twist on other "Recommended Recordings" lists you may have read. Rather than a selection of all-time (or year's) best recorded performances---which are common enough---or a list of audiophile reference recordings---common enough in the audiophile press, at any rate, and a good thing, too---this is a list of stereo recordings that are both musically <I>and</I> sonically impeccable---in other words, the best, the tops, to die for---each item briefly described in a hundred or so words (except for JA, LA, and JGH, whose couplets runneth over).

1991 Records To Die For Page 6

1991 Records To Die For Page 6

This is a somewhat different twist on other "Recommended Recordings" lists you may have read. Rather than a selection of all-time (or year's) best recorded performances---which are common enough---or a list of audiophile reference recordings---common enough in the audiophile press, at any rate, and a good thing, too---this is a list of stereo recordings that are both musically <I>and</I> sonically impeccable---in other words, the best, the tops, to die for---each item briefly described in a hundred or so words (except for JA, LA, and JGH, whose couplets runneth over).

1991 Records To Die For Page 5

1991 Records To Die For Page 5

This is a somewhat different twist on other "Recommended Recordings" lists you may have read. Rather than a selection of all-time (or year's) best recorded performances---which are common enough---or a list of audiophile reference recordings---common enough in the audiophile press, at any rate, and a good thing, too---this is a list of stereo recordings that are both musically <I>and</I> sonically impeccable---in other words, the best, the tops, to die for---each item briefly described in a hundred or so words (except for JA, LA, and JGH, whose couplets runneth over).

1991 Records To Die For Page 4

1991 Records To Die For Page 4

This is a somewhat different twist on other "Recommended Recordings" lists you may have read. Rather than a selection of all-time (or year's) best recorded performances---which are common enough---or a list of audiophile reference recordings---common enough in the audiophile press, at any rate, and a good thing, too---this is a list of stereo recordings that are both musically <I>and</I> sonically impeccable---in other words, the best, the tops, to die for---each item briefly described in a hundred or so words (except for JA, LA, and JGH, whose couplets runneth over).

1991 Records To Die For Page 3

1991 Records To Die For Page 3

This is a somewhat different twist on other "Recommended Recordings" lists you may have read. Rather than a selection of all-time (or year's) best recorded performances---which are common enough---or a list of audiophile reference recordings---common enough in the audiophile press, at any rate, and a good thing, too---this is a list of stereo recordings that are both musically <I>and</I> sonically impeccable---in other words, the best, the tops, to die for---each item briefly described in a hundred or so words (except for JA, LA, and JGH, whose couplets runneth over).

1991 Records To Die For Page 2

1991 Records To Die For Page 2

This is a somewhat different twist on other "Recommended Recordings" lists you may have read. Rather than a selection of all-time (or year's) best recorded performances---which are common enough---or a list of audiophile reference recordings---common enough in the audiophile press, at any rate, and a good thing, too---this is a list of stereo recordings that are both musically <I>and</I> sonically impeccable---in other words, the best, the tops, to die for---each item briefly described in a hundred or so words (except for JA, LA, and JGH, whose couplets runneth over).

1991 Records To Die For

1991 Records To Die For

This is a somewhat different twist on other "Recommended Recordings" lists you may have read. Rather than a selection of all-time (or year's) best recorded performances---which are common enough---or a list of audiophile reference recordings---common enough in the audiophile press, at any rate, and a good thing, too---this is a list of stereo recordings that are both musically <I>and</I> sonically impeccable---in other words, the best, the tops, to die for---each item briefly described in a hundred or so words (except for JA, LA, and JGH, whose couplets runneth over).

What would you, as a consumer, suggest the industry do in order to ensure high-end audio's survival?

Category

Based on the replies from an earlier "Vote!" about the future of high-end audio, many audiophiles predict a continually diminishing market for high-end gear.

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