Hard to believe it's been more than six years since NHT launched its flagship 3.3 loudspeaker (footnote 1). At the time, the floorstanding 3.3 was a revolutionary product for the company, whose product line until then had been aimed squarely at the customer who wanted good sound, but wanted it in a small, affordable package. While the 3.3 didn't change NHT's dedication to its roots, it did signal to audiophiles that the manufacturer could play ball with the big boys.

Hard to believe it's been more than six years since NHT launched its flagship 3.3 loudspeaker (footnote 1). At the time, the floorstanding 3.3 was a revolutionary product for the company, whose product line until then had been aimed squarely at the customer who wanted good sound, but wanted it in a small, affordable package. While the 3.3 didn't change NHT's dedication to its roots, it did signal to audiophiles that the manufacturer could play ball with the big boys.

Hard to believe it's been more than six years since NHT launched its flagship 3.3 loudspeaker (footnote 1). At the time, the floorstanding 3.3 was a revolutionary product for the company, whose product line until then had been aimed squarely at the customer who wanted good sound, but wanted it in a small, affordable package. While the 3.3 didn't change NHT's dedication to its roots, it did signal to audiophiles that the manufacturer could play ball with the big boys.

Hard to believe it's been more than six years since NHT launched its flagship 3.3 loudspeaker (footnote 1). At the time, the floorstanding 3.3 was a revolutionary product for the company, whose product line until then had been aimed squarely at the customer who wanted good sound, but wanted it in a small, affordable package. While the 3.3 didn't change NHT's dedication to its roots, it did signal to audiophiles that the manufacturer could play ball with the big boys.

Hard to believe it's been more than six years since NHT launched its flagship 3.3 loudspeaker (footnote 1). At the time, the floorstanding 3.3 was a revolutionary product for the company, whose product line until then had been aimed squarely at the customer who wanted good sound, but wanted it in a small, affordable package. While the 3.3 didn't change NHT's dedication to its roots, it did signal to audiophiles that the manufacturer could play ball with the big boys.

"Hey! Make sure you mention my name in your article! I don't want you taking all the credit."

"Hey! Make sure you mention my name in your article! I don't want you taking all the credit."

According to the <A HREF="http://www.cemacity.org">Consumer Electronics Manufacturers Association</A> (CEMA), the month of August saw hot increases in the sales of audio products. Factory sales of audio products rose 7%, to $694 million, equaling year-to-date revenues of $4.7 billion, slightly ahead of the first eight months of 1998.

Robert Deutsch writes that "There's a well-known tradeoff in speaker design between sound quality for one listener vs. multiple listeners." But his review of the <A HREF="http://www.stereophile.com//loudspeakerreviews/166/">Dunlavy SC-IV/A loudspeaker</A> reveals that, in the hands of a great designer, these limitations can sometimes be transcended. How did John Dunlavy do it? Deutsch gets to the bottom of this, and more.