Convergence is a widely used buzzword in today's consumer-electronics industry. However, other than using my PC's soundcard in the office to play back MP3-encoded music and plugging the Mac in my listening room into my reference system in order to experience <I>Riven</I> with the highest possible sound quality, I've kept a low profile in this area.

Convergence is a widely used buzzword in today's consumer-electronics industry. However, other than using my PC's soundcard in the office to play back MP3-encoded music and plugging the Mac in my listening room into my reference system in order to experience <I>Riven</I> with the highest possible sound quality, I've kept a low profile in this area.

Convergence is a widely used buzzword in today's consumer-electronics industry. However, other than using my PC's soundcard in the office to play back MP3-encoded music and plugging the Mac in my listening room into my reference system in order to experience <I>Riven</I> with the highest possible sound quality, I've kept a low profile in this area.

Convergence is a widely used buzzword in today's consumer-electronics industry. However, other than using my PC's soundcard in the office to play back MP3-encoded music and plugging the Mac in my listening room into my reference system in order to experience <I>Riven</I> with the highest possible sound quality, I've kept a low profile in this area.

Convergence is a widely used buzzword in today's consumer-electronics industry. However, other than using my PC's soundcard in the office to play back MP3-encoded music and plugging the Mac in my listening room into my reference system in order to experience <I>Riven</I> with the highest possible sound quality, I've kept a low profile in this area.

Convergence is a widely used buzzword in today's consumer-electronics industry. However, other than using my PC's soundcard in the office to play back MP3-encoded music and plugging the Mac in my listening room into my reference system in order to experience <I>Riven</I> with the highest possible sound quality, I've kept a low profile in this area.

The band that built a cult following on good vibes is feeling a trifle dysfunctional of late. Grateful Dead bassist Phil Lesh is at odds with fellow bandmembers over how best to put the group&rsquo;s 35-year musical archive on the Internet. <A HREF="http://www.dead.net/">Grateful Dead Productions</A> has been consulting about the prospect of making their vault available for computer download with several Silicon Valley companies, many of whose executives are Deadheads eager to affiliate themselves with the legendary rockers by sponsoring the venture.

There's nothing like a new high-resolution format to get an audiophile's interest, and this year saw two major announcements. But with DVD-Audio stalling, attention is sure to focus on Sony and Philips' new SACD format. Jonathan Scull jumps right in with his review of the <A HREF="http://www.stereophile.com//digitalsourcereviews/180/">Sony SCD-1 Super Audio CD/CD player</A>. As J-10 notes: "Rarely have I anticipated the arrival of a review component as I did the Sony SCD-1 Super Audio CD player." But does it live up to the hype?

Audiophiles have been hit hard lately, as DVD-Audio's release schedule has succumbed to piracy concerns and Sony has so far refused to allow digital outputs on SACD decks. (Only digital outs for CD playback are allowed.) You can listen, but don't touch. But at least there are still no such restrictions on CD players that would inhibit the use of their digital datastreams . . . for now.