You've probably seen the ad in <I>Stereophile</I>: a very personal account by Avantgarde-USA president Jim Smith, describing how, during a 30-year career in high-end audio, he had become increasingly disappointed with conventional loudspeakers' ability to communicate the emotional impact of live music, and how he found the answer with the Avantgarde horn loudspeakers. It's advertising copy in the best I-liked-it-so-much-I-bought-the-company tradition&mdash;with the exception that Smith did not actually buy Avantgarde Acoustic, but <I>did</I> become their North American distributor.

You've probably seen the ad in <I>Stereophile</I>: a very personal account by Avantgarde-USA president Jim Smith, describing how, during a 30-year career in high-end audio, he had become increasingly disappointed with conventional loudspeakers' ability to communicate the emotional impact of live music, and how he found the answer with the Avantgarde horn loudspeakers. It's advertising copy in the best I-liked-it-so-much-I-bought-the-company tradition&mdash;with the exception that Smith did not actually buy Avantgarde Acoustic, but <I>did</I> become their North American distributor.

You've probably seen the ad in <I>Stereophile</I>: a very personal account by Avantgarde-USA president Jim Smith, describing how, during a 30-year career in high-end audio, he had become increasingly disappointed with conventional loudspeakers' ability to communicate the emotional impact of live music, and how he found the answer with the Avantgarde horn loudspeakers. It's advertising copy in the best I-liked-it-so-much-I-bought-the-company tradition&mdash;with the exception that Smith did not actually buy Avantgarde Acoustic, but <I>did</I> become their North American distributor.

You've probably seen the ad in <I>Stereophile</I>: a very personal account by Avantgarde-USA president Jim Smith, describing how, during a 30-year career in high-end audio, he had become increasingly disappointed with conventional loudspeakers' ability to communicate the emotional impact of live music, and how he found the answer with the Avantgarde horn loudspeakers. It's advertising copy in the best I-liked-it-so-much-I-bought-the-company tradition&mdash;with the exception that Smith did not actually buy Avantgarde Acoustic, but <I>did</I> become their North American distributor.

You've probably seen the ad in <I>Stereophile</I>: a very personal account by Avantgarde-USA president Jim Smith, describing how, during a 30-year career in high-end audio, he had become increasingly disappointed with conventional loudspeakers' ability to communicate the emotional impact of live music, and how he found the answer with the Avantgarde horn loudspeakers. It's advertising copy in the best I-liked-it-so-much-I-bought-the-company tradition&mdash;with the exception that Smith did not actually buy Avantgarde Acoustic, but <I>did</I> become their North American distributor.

You've probably seen the ad in <I>Stereophile</I>: a very personal account by Avantgarde-USA president Jim Smith, describing how, during a 30-year career in high-end audio, he had become increasingly disappointed with conventional loudspeakers' ability to communicate the emotional impact of live music, and how he found the answer with the Avantgarde horn loudspeakers. It's advertising copy in the best I-liked-it-so-much-I-bought-the-company tradition&mdash;with the exception that Smith did not actually buy Avantgarde Acoustic, but <I>did</I> become their North American distributor.

You've probably seen the ad in <I>Stereophile</I>: a very personal account by Avantgarde-USA president Jim Smith, describing how, during a 30-year career in high-end audio, he had become increasingly disappointed with conventional loudspeakers' ability to communicate the emotional impact of live music, and how he found the answer with the Avantgarde horn loudspeakers. It's advertising copy in the best I-liked-it-so-much-I-bought-the-company tradition&mdash;with the exception that Smith did not actually buy Avantgarde Acoustic, but <I>did</I> become their North American distributor.

You've probably seen the ad in <I>Stereophile</I>: a very personal account by Avantgarde-USA president Jim Smith, describing how, during a 30-year career in high-end audio, he had become increasingly disappointed with conventional loudspeakers' ability to communicate the emotional impact of live music, and how he found the answer with the Avantgarde horn loudspeakers. It's advertising copy in the best I-liked-it-so-much-I-bought-the-company tradition&mdash;with the exception that Smith did not actually buy Avantgarde Acoustic, but <I>did</I> become their North American distributor.

You've probably seen the ad in <I>Stereophile</I>: a very personal account by Avantgarde-USA president Jim Smith, describing how, during a 30-year career in high-end audio, he had become increasingly disappointed with conventional loudspeakers' ability to communicate the emotional impact of live music, and how he found the answer with the Avantgarde horn loudspeakers. It's advertising copy in the best I-liked-it-so-much-I-bought-the-company tradition&mdash;with the exception that Smith did not actually buy Avantgarde Acoustic, but <I>did</I> become their North American distributor.

You've probably seen the ad in <I>Stereophile</I>: a very personal account by Avantgarde-USA president Jim Smith, describing how, during a 30-year career in high-end audio, he had become increasingly disappointed with conventional loudspeakers' ability to communicate the emotional impact of live music, and how he found the answer with the Avantgarde horn loudspeakers. It's advertising copy in the best I-liked-it-so-much-I-bought-the-company tradition&mdash;with the exception that Smith did not actually buy Avantgarde Acoustic, but <I>did</I> become their North American distributor.