It was a late Friday afternoon in May and I wasn't having much luck getting into Sony's multichannel SACD demo room at the Home Entertainment 2001 Show. Surely, as a member of the audio press and a freelance writer for <I>Stereophile</I>, I should have no trouble. Not this time. After several polite "Nos," a Sony consultant managed to snare for me the last ticket of the day.

It was a late Friday afternoon in May and I wasn't having much luck getting into Sony's multichannel SACD demo room at the Home Entertainment 2001 Show. Surely, as a member of the audio press and a freelance writer for <I>Stereophile</I>, I should have no trouble. Not this time. After several polite "Nos," a Sony consultant managed to snare for me the last ticket of the day.

It was a late Friday afternoon in May and I wasn't having much luck getting into Sony's multichannel SACD demo room at the Home Entertainment 2001 Show. Surely, as a member of the audio press and a freelance writer for <I>Stereophile</I>, I should have no trouble. Not this time. After several polite "Nos," a Sony consultant managed to snare for me the last ticket of the day.

It was a late Friday afternoon in May and I wasn't having much luck getting into Sony's multichannel SACD demo room at the Home Entertainment 2001 Show. Surely, as a member of the audio press and a freelance writer for <I>Stereophile</I>, I should have no trouble. Not this time. After several polite "Nos," a Sony consultant managed to snare for me the last ticket of the day.

It was a late Friday afternoon in May and I wasn't having much luck getting into Sony's multichannel SACD demo room at the Home Entertainment 2001 Show. Surely, as a member of the audio press and a freelance writer for <I>Stereophile</I>, I should have no trouble. Not this time. After several polite "Nos," a Sony consultant managed to snare for me the last ticket of the day.

It was a late Friday afternoon in May and I wasn't having much luck getting into Sony's multichannel SACD demo room at the Home Entertainment 2001 Show. Surely, as a member of the audio press and a freelance writer for <I>Stereophile</I>, I should have no trouble. Not this time. After several polite "Nos," a Sony consultant managed to snare for me the last ticket of the day.

It was a late Friday afternoon in May and I wasn't having much luck getting into Sony's multichannel SACD demo room at the Home Entertainment 2001 Show. Surely, as a member of the audio press and a freelance writer for <I>Stereophile</I>, I should have no trouble. Not this time. After several polite "Nos," a Sony consultant managed to snare for me the last ticket of the day.

It was a late Friday afternoon in May and I wasn't having much luck getting into Sony's multichannel SACD demo room at the Home Entertainment 2001 Show. Surely, as a member of the audio press and a freelance writer for <I>Stereophile</I>, I should have no trouble. Not this time. After several polite "Nos," a Sony consultant managed to snare for me the last ticket of the day.

It was a late Friday afternoon in May and I wasn't having much luck getting into Sony's multichannel SACD demo room at the Home Entertainment 2001 Show. Surely, as a member of the audio press and a freelance writer for <I>Stereophile</I>, I should have no trouble. Not this time. After several polite "Nos," a Sony consultant managed to snare for me the last ticket of the day.