One of the biggest challenges in setting up any new listening room is getting the room to work with your equipment rather than against it. I faced this challenge in spades when Trish and I moved into our dream house in the California hills. What would serve as my listening room was a wonderful, open space with panoramic views of the surrounding hills—a space that bore no resemblance at all to a traditional, rectangular, dedicated listening room. Instead, there was a wall of glass, a huge marble-and-glass fireplace, a 20' ceiling—and did I mention that it isn't actually a "room," but one arm of a continuous flowing space?

Let's start with some music—three discs I recently have been using to evaluate equipment as well as listen to for enjoyment. They are as contrasting in style as one could hope for, but all on an enviably high musical plane. (Space considerations compel brevity approaching that necessary to sell screenplays to producers at cocktail parties, footnote 1)

Let's start with some music—three discs I recently have been using to evaluate equipment as well as listen to for enjoyment. They are as contrasting in style as one could hope for, but all on an enviably high musical plane. (Space considerations compel brevity approaching that necessary to sell screenplays to producers at cocktail parties, footnote 1)

Let's start with some music—three discs I recently have been using to evaluate equipment as well as listen to for enjoyment. They are as contrasting in style as one could hope for, but all on an enviably high musical plane. (Space considerations compel brevity approaching that necessary to sell screenplays to producers at cocktail parties, footnote 1)

Let's start with some music—three discs I recently have been using to evaluate equipment as well as listen to for enjoyment. They are as contrasting in style as one could hope for, but all on an enviably high musical plane. (Space considerations compel brevity approaching that necessary to sell screenplays to producers at cocktail parties, footnote 1)

Two years ago, music business insiders were predicting that the industry's "Big Five" would eventually become the "Big Four," or possibly the "Big Three."

With two new high-rez audio formats on deck, is a CD-only player still relevant? John Atkinson listens to, and then measures, the <A HREF="http://www.stereophile.com//digitalsourcereviews/924/">Class&#233; CDP-10 CD player</A> to discover why it sometimes takes 20 years to perfect a format.

Is retailing headed up or down? North America's two largest electronics retailers have reported vastly different results for the second quarter.

The major record labels and the RIAA have invested much time and effort in sabotaging the MP3 file-trading revolution and its supporters. But the appeal of the compressed music format for a large segment of music fans is undeniable, and many critics of the RIAA have suggested that the petite and portable audio files should be embraced, not resisted.